four hybrids – howie good

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Miss Plum in the Bedroom with the Candlestick

Crime was common back then, and the law itself often criminal. Nobody was safe from the thugs prowling the city. It took a constant and wearying vigilance to survive. If I happened to fall asleep, I’d wake up afraid. I think I was afraid she wouldn’t be there, peering out through a crack in the curtains. Why you here? I asked the first time she appeared. She just gave a fuzzy, fragile smile. The ambiguity was intentional. When you leave details out, it opens up possibilities for what can be – an ancient tree whose entwined branches support 34 brilliant candles.

Shredded

Private lives are now lived in public. That’s the problem with putting Velveeta on enchiladas. It’s only a matter of time before the celebrity chefs start to show up. I pedal away as if I have to actually get somewhere. Everyone I owe an explanation tries following me – sons, daughters, parents, co-workers, etc. We’re a wandering soap opera. “You can’t paint them trees,” protesters yell from the sidewalk. I just want some semblance of normality back in my life, some sort of quiet, and my heart to stop agonizing like a flock of gulls being sucked into a jet engine.

Shadowlands

When you look back over your shoulder, you see yourself looking quizzically back at you. You always assumed that you’d been given up for adoption. Now, more than 35 years later, you know. It’s night, and everything is also nothing, the dark howls and whimpers of women in search of their shadows.

The Later Years

Given a choice, I would want to be the sort of shrewd, goatish old man it’s said Rodin was, strolling about the boulevards and back alleys of Paris, while the work in marble went on nevertheless in his head and a young Russian-born French lady leaned lightly on his arm, and if her eyes were a little too wide apart, or if she didn’t actually read any of the books he recommended, he wouldn’t care, because it had just turned spring, and the air was like a mix of wine and brandy, and they were always at least somewhat drunk.

sbgs cowskull

Howie Good, Ph.D., a journalism professor at SUNY New Paltz, is the author of The Loser’s Guide to Street Fighting, winner of the 2017 Lorien Prize from Thoughtcrime Press, and Dangerous Acts Starring Unstable Elements, winner of the 2015 Press Americana Prize for Poetry, among other books. He co-edits the literary journals UnLost and Unbroken with Dale Wisely.

Photo: @sweetdangerzack

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eyes – dave owens

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Two sour faced guards escorted teenager Daniel Warren into the interview cell, shackled him to the metal grommets bolted to the table, and pushed him down into a chair. The boy’s orange prisoner suit did not fit, but someone, perhaps one of the guards, rolled the cuffs and sleeves up so he wouldn’t trip and fall. The lock clattered after the door slammed shut.

To the state appointed psychologist Raoul Hadras, the young man who sat in silence across from him at the table appeared not unlike many of the other troubled youths of this generation – thin, only a few weeks past his fifteenth birthday, a dozen pimples on his face, and expressive brown eyes. A shock of blond hair completed the image.
Daniel murdered his father and mother if the police report proved true. After his arrest, he demanded the death penalty from the court appointed attorney, and created quite a scene in the courtroom when the attorney plead not guilty on his behalf. The judge also thought the demand strange and questioned the boy’s sanity.

Most other youths Raoul evaluated often claimed insanity, and enacted performances that would make movie stars jealous – anything to avoid justice.

Daniel sat with yes turned down, and did not speak.

“May I call you Dan?” The doctor made a note in the evaluation folder.

“Sure. Why not? You wanna find out why I killed my old man.” The boy fidgeted in the chair, but did not try to escape the restraints. “I wanna die.”

“I must determine if you are fit to stand trial.”

“Yeah.” The voice came slow and sullen.

“So. May I call you Dan?” Raoul’s question, fashioned to create a familiar, less formal atmosphere, dated back to the time of Freud. The ploy worked sometimes, but sometimes it did not.

No answer. Raoul tried again with a gentle tone in his voice. “May I call you Dan?”

“I don’t care what you call me. Send me back to my cell,” he snapped back.

“Sometimes circumstances cause us to do things we wouldn’t normally do. Would you please tell me about what happened?”

“He deserved it. Am I done?”

“Not quite. Why do you say he deserved it?” His question probed for anything to free the boy from his defensive shell.

“He beat me and my mother up all the time. When I was a little kid, he’d jerk me up by my arm and whip me with that leather belt of his. I hated the belt. I got whipped even if I didn’t do nothin’.”

“Your mother too?” Situations like the boy described usually meant the abuse affected other family members. Raoul understood the answer.

“Yeah, she got it bad. If she tried to protect me, he’d beat her with his fists. She didn’t tell people what he did, but behind her back everyone talked about her black eyes and the bruises all over her arms, and face. I got into fights with kids who said things about her.”

“Many fights?” The question sought to let deep emotions rise. He made another note in the folder.

Dan avoided the question. “My mother. I loved her. I didn’t kill her like the police said. I didn’t do it.”

“But you did kill your father?”

“Yeah.” His head rolled back and he stared at the ceiling. “Like I said. He had it comin’.”
Trigger point. The father. Raoul wondered what other triggers might provoke Dan to continue his story. “So you blame your father for your crime?”

Dan kept his gaze focused on the ceiling. “Everyone hated him.”

“Everyone?”

His head fell forward and his eyes locked onto Raoul’s face. “Everyone.”

“Please explain.”

The face softened for a moment. “His eyes frightened everyone. One of my friends, Jimmy, came to the house one night after school.” Dad screamed at him to get out.”

“That’s all your father said?”

“Uh, huh. He stared at Jimmy with those cold blue eyes – they could see right through you. When I try to sleep I see them. They’re always in my dreams. I didn’t like to sleep. Neighbors avoided him. They’d go to the other side of the street when they saw him comin’.”

“It’s called post traumatic stress, Dan. He frightened you the night you killed him?”

“I came home from school late. I heard him telling from the street. When I went inside the house everything was broken. Smashed chairs, curtains ripped off the windows. I went into the kitchen. Dad grabbed the refrigerator and threw it on the floor. He swung at Mom and missed, but his second punch hit her in the stomach. She fell down. I went over to her and tried to help, but he grabbed me by the shirt and threw me into the counter by the sink. Then he turned back to Mom. I knew he was gonna hurt her more.”

His eyes smoldered with tears and his head dropped to his chest.

“Relax for a minute, Dan. I understand why you are frightened. I want to help.”

Dan disregarded Raoul’s comment and continued. “I got up and took one of the broken chair’s legs and swung it as hard as I could. I hit him on the back of his head. He turned and started to get up, but I hit him again. I hit him two more times before he fell. I went to Mom. She said ‘Run Danny, run. He’ll kill you for sure if he catches you. Please run. I love you.’ Last time I heard Mom’s voice.” He jerked his head to the side and shook it. His wet cheeks glistened in the light of the single bulb that swung from a wire above his head.

Raoul took a handkerchief from his pocket and went to the other side of the table to wipe the boy’s tears. “Calm, calm. Nobody will hurt you while you’re with me.” Genuine sadness gripped the doctor and he felt his own eyes water. He thought to leave the handkerchief with Dan, but remembered the restraints and realized the pointlessness of such an act. He returned to his seat, sat in silence, while he made a few more notes in the folder.

Dan’s chin fell back onto his chest. His voice lowered and he mumbled, “Found the gun – Dad’s nine millimeter, in the stand by the bed where he kept it, made sure it was loaded, tucked it into my pants, and ran. I went across the street to Mrs. Thompson’s house. Her lights were off. She wasn’t home, so I ran around to the back, jumped the fence and hid under some cucumber vines. I tried to hold my breath, but was breathing too hard.” He swallowed, and waited a moment before he continued. “I thought he might hear my breathing so I crawled over the back fence and ran down the alley. There’s an old wooden shed there. I went in and hid behind some boxes.”

“And . . .” Raoul’s voice faded into a whisper.

“I heard his crazy screams. He was trying to find me. I kept as quiet as I could because I was scared more than ever before. I heard his shoes crunchin’ in the alley gravel. When I peeked through a crack in the wall I saw him standin’ outside the shed, I held my breath and hoped he wouldn’t hear me. I hoped he’d go away. He didn’t. He pushed through the broken door and came into the shed yelling ‘little bastard! I’ll break your neck and piss on you. Come on out coward!’”

The doctor’s voice became sympathetic for the first time since the interview began. “Now I understand.”

“After I made sure a round was in the chamber.” The boy continued as if he could not hold back the story. Tormented words gushed from his lips at a frantic pace. “I crawled out from behind the crates and held the gun where he couldn’t see it. He moved, and I shot him in the chest, but he wasn’t dead.” His voice quieted when he remembered the moment. “I shot him in the head two times, but he’s here with me. I have to die to get rid of him. I want to die! It’s the only way I can escape.”

The softness of the boy’s voice surprised Raoul. “You’ve no need to fear your father. I think you acted in self-defense and I’ll inform the authorities. I see a full life in front of you.” Raoul wrote another note in the folder. “Your father’s gone and he can’t hurt you anymore.” He raised his head and noticed the change in Dan’s eyes.

Cold, ice blue eyes glared at the doctor. “I’m not dead.”

sbgs cowskull

David Alan Owens’ stories and non-fiction works have been published internationally. From Alien Dimensions magazine, the High Strange Horror Anthology, and other periodicals, his audiences are as varied as his stories. He prefers to write science fiction, but sometimes a story of a different genre asks to be written. He lives in Murfreesboro, Tennessee with his wife Ann and his Boston Terrier, Mayla.

Photo: @sweetdangerzack

bag of eyes – david rawson

When I took Holly to the waterfront, she told me I was destined to be a father.

“You’re going to have a girl,” she said. “And you’re going to raise her alone.”

Holly and I had been hanging out a lot the last few weeks, staying up til 4am walking around her neighborhood. One night we laid down in the middle of the street at the end of the cul de sac. No cars came. And if they had, we would have seen them coming. As I curled up in one of the blankets we had brought with us, Holly climbed up a tree that the cul de sac had been built around. It stood surrounded by pavement on all sides. I had to look down as she climbed because small leaves, twigs, and dust fell from where she rustled. I protected my eyes, and even though nothing had gotten in them, I felt them swell and water.

This trip to the waterfront was my attempt to expand our relationship, to begin to define it. I was nineteen and barely knew myself, let alone how to date this beautiful independent woman who, although she was my age, had secrets in her eyes I could not begin to uncover. She was a lion. She had an unruly mane of hair that she was always trying to move out of her eyes. She was looking out at the water. We barely spoke. I did not know how to respond. I knew I did not want kids, but I never told people I dated what I really wanted. I didn’t want to scare anyone off.

“Yeah, I haven’t given it a lot of thought, to be honest,” I said. “It all depends on the person, you know?”

But she had already decided I would be alone. Whoever the mother would be was already gone, unreachable. Although Holly was a few feet away from me, she could have been a sea away.

We sat on the rock by the waterfront on the same blankets we had used in the cul de sac. She was telling me she hated her nose. She said she thinks it is too big. She didn’t look at me. She looked at the water. I didn’t know what to say. It was a big nose if you isolated it, if you took it out of context and held it in your palm. I imagined holding her nose in my hand. She looked down at her stomach.

“I’m going to get a nose job my last year of college. And I’ll probably have my stomach done.”

She did not mention her eyes. She loved her glasses. The way she stroked the frames gently with her index fingers. The glasses framed her eyes perfectly, and she knew it. The nerdy infatuation I felt for her intensified every time she tilted her head down and looked up at me, when my world became those eyes perfectly framed.

The whole time we were talking, I had been watching two brothers, no older than twelve. Their father was nearby sitting down in a chair he had brought with him, a retractable one he had brought in a bag slung over his shoulder. He had a simple fishing rod that he held loosely in his hand. Every once in a while, he brought up a fish. His two boys were doing something on a bit of pavement down from us, near the cooler the father was placing the fish in. They were quiet, looking down at the pavement, doing something with their hands, like tracing something out deliberately.

After the boys left with their father, Holly and I stood up to leave. And we could see down the way to the pavemented area, and we could see what the boys had been doing so meticulously. Twenty-three stiff fish bodies laid rotting in the sun. The father had not taken any of the fish to eat later. It struck me in the gut as a waste of life, to catch and discard on hot pavement. It was death without a function. And then I saw what the brothers had been doing so meticulously. They had taken out the eyes. Forty-six eyes altogether that they had cut out together, as a team. The eyes were nowhere to be seen. Perhaps they kept them. Somewhere there was a bag full of fish eyes.

I attempted to move the dead fish off the pavement into the water. I picked up two big sticks and attempted to move one, like I was using enormous chopsticks. Holly halfheartedly followed my lead. She said nothing. I could not measure her discomfort or shock. She would not look at me.

I got one fish into the water, but it floated vertically, its mouth open, holes for eyes.

When I dropped her off at her car after a silent drive back, she hugged me and looked up at my eyes for the first time that day. It became clear. We were not going to talk about the fish.

“You’ll probably name her something like Penelope. She’ll draw on your walls with crayon, but you won’t care. You’ll pick up a crayon and draw right along with her.”

I laughed a hollow laugh and nodded. “You can always wash a wall,” I said.

In the reflection of her car, I saw Penelope, but just for a brief moment. She was wearing a summer dress and ballet slippers, and the Robin’s Egg Blue crayon was tight in her hand as she drew a vertical line from as far as her arm would reach above her head to the moment she can feel the touch of her hand against her toes.

But then just as quickly as I had seen her, she was gone. And without consciously trying, another image flooded my brain: a small Ziploc bag full of fish eyes, in an underwear drawer somewhere, covered in t-shirts and boxers, a testament to a productive day.

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David Rawson is the author of A Jellyfish for Every Name and Proximity (ELJ Editions).

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all things resound – jordan a. rothacker

Actions have resonance. Actions are things. All things resound. They continue to resound in the place they happened.

Driving back home one night from visiting her mother in Atlanta, last Tuesday actually, Lara sung along with the stereo, the low highway rolling by with yellow ticks of paint and reflectors in the dark. The song was melancholy with a refrain to belt out legato and intense, allowing Lara to emote while belting, tears forced from her eyes. The last time she heard this song was through headphones in the much more public location of the treadmill at the gym. She couldn’t do her listen then the justice that she could now. As it ended, she stopped at one of the annoying stoplights on this highway.
She started back off from the light into the darkness, building up speed again, and she saw a flicker of light ahead on the right shoulder. She wondered what it was. It was a quick intense wonder and she released the gas gradually to look. When she saw it was a candle flickering at a flower-decked cross, she braked and pulled over.

The night was chilly, but she left the car without getting her jacket from the back seat. She hit the hazards and shut the door, scanning the night. Whoever lit the candle was gone, for how long she didn’t know, but it was still lit against the windy whizz of the cars on the highway. Lara knew what the cross meant, and she always thought the concept was strange. Why come here when the person is most likely buried somewhere else? Do the loved ones, family members, always go to both, here and the grave? She thought they probably went to the latter on the birthdays and here on the other day.

Today must be that day, she thought, and this must be the spot. Lara stood in front of the cross. Three cars passed behind her, all big sport utility vehicles, all fifteen miles per hour over the speed limit and the wind they brought cut through the knit tights she wore under her skirt. The flame flickered, flickered, flickered, cutting hard back against the wind each time in its partial glass enclosure, finally standing hard again.
This was the spot.

Lara turned around and looked at the highway. It didn’t look so violent now. There were cars with their lights far back to the left, behind the red light, and far taillights to the right horizon, but right here, right now, it was a dark peaceful place. She lowered at the knees and sat down her dark skirt into the cool damp earth.

Her ass cooled and a chill went up her back. She lay her legs out flat and slowly down her back went to the earth; just a t-shirt marring little of its chill. The flickers of the candle were just above her head. Every few flicks brought the shape of the cross or the flowers, or both, a terrifying shadow. Lara held her breath with such force she choked. She coughed and jerked against the earth, loosening it and generating more chills. It was hard to breathe, hard to catch her breath again. The white lights on the horizon to the left closed in on her. She held tight to her breath, pressed her back to the slight hill of the ground, and the candle went out as the torrent of traffic overtook where she was.

In that one moment, in that place, there was so much noise from the cars, released from the traffic light, Lara could hear nothing; from the bright of their lights she could see nothing; from the intense pain of the place she could feel nothing, and through the thudding off-time beat of death her heart could not complete. When the traffic abated and she could see again and hear again her breath released and her heartbeat resumed.

Lara knew everything and felt it all, all the pain. She rolled to her side to retch, and retching and rolling slushed in the wide puddle she had released and in which she now lay. It was awful, all awful. She stood and whipped her face with her hand and against her short sleeve. She was achy and cold, wet from the waist most of the way down. Without turning to look back at the cross, flowers, or candle—the cross made and laid by Jose’s mother Marisol, and the flowers from both his Tia Julieta and Tio Juan, and the candle placed and lit tonight by his sister Miryam—she slowly staggered down the hill to her car.

Pushing her legs through the ache she got to the car swiftly. On the hillside of the car she leaned on the back passenger for a moment to catch herself. She needed to get out of here fast. She got in the car and gunned it, just drove, off from the shoulder and out down the highway, as a panic overtook her and her nerve endings. She cried and wanted to scream and punch the wheel, but held it, she had to focus and get away. Twenty miles and fifteen minutes down the road she pulled over on the shoulder and got out to run around to the side and retched again. Ducking down into the back seat she took off her t-shirt and wiped her face with it, cleaning her mouth and dabbing at her eyes. Luckily the jacket she had with her was a raincoat-style and came down to her mid-thigh. She removed her skirt, tights, and panties all in one motion, stepping out of her boots to get it all down. With a clean corner of the t-shirt she wiped at herself where she was still wet and then balled all her clothes up into a wet gross mess and shoved it into a plastic grocery bag littering the floor of her car. Lara then stood with the jacket on and put her back to the road to button it. With a newspaper from the backseat she padded the driver’s seat so she wouldn’t get filthy again and got in to leave.

Why me, was all Lara thought the rest of the way back to Athens. It had all already happened to Jose, why did she need to feel it all too. It lingered in her memory, her whole body, her muscle memory, in a way that it couldn’t for Jose, for he was dead. She kept wanting to scream but instead just ached and drove. Other than “why me,” she did think “poor Jose,” but what he felt only lasted a moment whereas for her it continued to linger; she could even see the car that hit him, hear the crunch of plastic bumpers and metal frames, and feel again and again the metal into skin and into bone. Her seatbelt felt so tight as she drove, Lara felt the way it choked the breath out of Jose, but she was scared to take it off.

She needed to go straight to the library. Lara had been cutting close the drive all night.

She left Atlanta with just enough time. The stop at the flickering candle slowed her down and now she had no time to remedy the situation that she was naked under her coat except for a bra. She could call in, but what would she say, “I see dead people, or really just one dead guy, but mostly I just feel him, the pain of his death;” and the absurd humor in this potential interchange gave some levity to her state. But Lara still couldn’t think straight and come with any good excuse, passively with no better option to cross her mind she headed to the library for her late evening shift.

When she pulled into the parking deck a clear thought cut through the residual ache and lit upon her consciousness, Rose. Rose would be working the front desk. Rose is always either to or from the gym on one end of her shift or the other. Rose would have a change of clothes, gym clothes at least.

Lara grabbed her purse and phone and ran from the deck into the library. Rose greeted her with a smile at the front desk.

“Hey girl, why you rushing, you are just in time, and just in time to do a lot of nothing.”

“Hi Rose,” she gasped out of breath, “do you have your gym bag with you, or is it in your car? Please say you have it.”

“I have it, Jeez, I was gonna go late after work. Why?”

“Excellent,” Lara leaned on the desk and then paced in a circle catching more breath.

“Can I borrow your gym clothes right now? Maybe you will have time to go by the dorm before the gym after work for more. Please, its important.”

“You need my gym clothes? Why? What are you wearing under that coat? Girl, what have you been up to? Seriously?”

“Please, I can’t really explain. Will you just help me out?”

“Sure, relax, it’s fine, here you go,” and Rose reached down beneath the high desk and drew up a red and black gym bag. “But you owe me a story at least and an explanation of why I wasn’t invited to whatever craziness you have been up to.”

Lara took the bag and agreed, laughing off her friend. She clocked in and then changed in the bathroom glad that she and Rose were roughly the same size, except for in the chest, but luckily her bra had survived the filth and soiling. She quickly cleaned her face and crotch the best she could with hand soap and set to work. There was a full cart of books needing to be reshelved and she hoped the methodical mindless repetition of her slow uneventful job would cool and calm her down.

What was on the cart brought her first to the third floor and then up to the sixth. Up and down the stacks she breathed slowly, focusing on each breath, like she learned in yoga. She paid close attention to call numbers and her work and her mind wandered about the books, up and down each aisle, film theory, biographies of directors, then African oral literature and folk traditions. It seemed funny to her that all of this should be on the same floor, but there were only seven floors so it had to all mix together in some way. At the end of an aisle Lara noticed a wooden chair off in the corner, a chair that should be at one of the study tables in the floor’s common area near the elevators. This section of the sixth floor was the most private part of the library, and Lara knew, though not first hand, of its reputation as a popular make-out spot. Most likely explains the chair, either way, it was her job to straighten up behind the library visitors so she went to get it.
The chair faced the plain off-white corner, cold and isolated and for the second time tonight Lara felt a compulsion, she needed to sit in the chair. The second she sat down she shut her eyes and felt the tongue. She opened her eyes and there was no one around but her eyes slammed shut again and she felt the tongue again. It was right against her, it was right against her and it was right. A boy’s face flashed before her shut eyes, a boy she had never seen before, his eyes shut too, just going to town and humming and she could feel the humming burn-cooly out from the spot into her thighs; and then a different boy’s face, and then a girl’s. Lara pulled her eyes, open no one around. There was a girl’s face she didn’t know, a second ago before her shut eyes, between her legs, but they weren’t her legs, and the girl was more than just tongue, she was lips and mouth and sucking, so warm. And then Lara felt the waves, three hard-breaking waves over her, stiffening everything, boiling her blood. The first two were familiar, similar to long orgasmic waves she had felt before but the last broke shorter, cresting earlier, in three stalls and jerks and then nothing, no resolution. Her hair follicles on her head and down her arms, toes, and fingertips tingled as she drooped out of the chair and crawled into the stacks towards her cart.

All the pain from earlier was gone, and the aches had transformed; Lara was spent. Slowly she pulled herself up to sort of slump against the cart. She hadn’t bothered to borrow panties from Rose’s bag, but now the gray sweatpants she did borrow were a wet shade darker in the worst, most obvious location. Lara was done. She was done with this night. She was spent, wet, and freaked out. She was so done with other people’s feelings, other people’s experiences. She didn’t feel like herself and she didn’t feel real.
Lara rolled the cart as cover in front of her to the elevator and down to her coat for better cover. She clocked out and on her way past the front desk she told Rose to tell their supervisor she was sick, it was food poisoning, she had to go. Lara was very done with this night.

Over the next few years these moments of heightened sensitivity continued to occur, but never as bad as this first night, never two in one day. The world became a minefield for Lara, and as she slowly understood what was happening, she became increasingly careful of where she sat or lay down, where she let herself relax with her guard down. She could never really know though, hence the minefield feeling. She never told anyone about these experiences and could think of no practical use for this ability of hers. Her “sensitivity to locations” was more a curse than a power. Mostly it was just disruptive and embarrassing, but she did learn to control her reactions to some degree. Sadly, all her practice and preparation couldn’t prepare her for that one fateful night where and when she learned how her father really died and what kind of person her mother really was.

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A curious amalgam of the corporeal and phantasmagoric, Jordan A. Rothacker will birth forth his fourth-birthed book in February, 2019 under the title, Gristle: weird tales (Stalking Horse Press). As every story is a ghost, “All Things Resound” will haunt that book as it does this site. Close your eyes… can you see her… what dark truth does Lara know about her family…