affection/affliction – andrea dreiling

x-ray_of_paratype_of_paedophryne_amauensis_(lsumz_95002)

She sat on the torn sofa and finally glued the last bone in place.  She would write on the black, cardstock backing with white gel pen when she labeled the different bones.  Just like in 5th grade, when her whole class received owl pellets, each containing a single mouse-skeleton to reassemble.  After everything she had been through over the last year, it felt good to pin down what was left of it and label it in clear, scientific terms.  Who knew, maybe as time passed, she would grow fond of the display.  Maybe she would hang it on her wall and imagine flesh for it.  She had a memory attached to each bone, a story to write for them…

 

Innominate

 

In a split second they become so obvious, the two things that I realize.  The first is that I’m pregnant, the second is that I don’t know how it happened.  I hook up with the same couple of people sporadically and I hadn’t been with anyone for a long time.  Through the bathroom window the sky bares its teeth at me. Loneliness calcifies.  I could tell someone else but I’m not sure I can pretend to be happy about it, or if I even have to.  I remind myself that my body is well equipped to handle this.  I thank my wide hips.  What if I never love it?  What if it’s not even mine?  When you try to find answers where there are none, the nature of the task drives you mad.  You know you will lose even before you know that you will never stop trying.  I become a caged animal.  I try to escape because I knew I can’t.     

 

 

Sternum 

 

I grew up Catholic and left the church without regret.  I imagine the people I knew as a teenager and what they would say if they knew me now.  I imagine the way they would touch the rose gold crosses hanging around their necks, as if to remind themselves that they are not like me. I would ask them, Couldn’t there be a second Mary Magdalene to usher in the second coming?  I would ask them, Do you think you can have an immaculate conception even if you’re not a virgin? Why not? Besides, those celibate preachers had us touching the lean skin between our breasts while we murmured the son during every mass.  What could they teach about a woman’s body?

 

Mandible

 

All food has become tinny and dry.  I struggle to take care of myself, I couldn’t feel less maternal.  I call my friend Atticus, the King of Last Night.  We get drunk together.  It is horrible and necessary.  I play the pinball machine at the back of the bar where my face becomes a distortion rolling on the surface of the silver marble.  I remember how my mother ate so much liver when Oli, my baby sister, was born.  So much liver, I can feel its grain between my teeth now.  I clench them to crush the sensation away and wake up in one of my nightmares.  The one where my teeth are crumbling with such violence that they are choking me, making it impossible to tell my mom, who’s on the phone, that my teeth are crumbling.  My teeth are crumbling, and it’s all blood and bone falling into the bathroom sink.  One of the fragments becomes lodged in the bar of soap.

 

 

Metacarpals

 

In my inertia I stay in my tiny apartment, forgetting that my future child will take up space.  If I could, I would scratch a new home for myself in the face of the Earth.  I would wear my fingers down, leaving all ten fingernails inside the tunnels I create, burrowing.  The overripe drip of the summer sun will go on without me.  The flowers, rooting far above my reach.  When the bathroom door is open, I can see every corner of my apartment from the couch in the living room.  In the winter, when the window’s always shut, the dust moves in accordance with my breath, my movements; I like it that way.  If I ever left, I would crawl to the center of the Earth, as far away from heaven as I could be.

 

Sacrum

 

The lonely pregnancy is an anchor dragging me to the bottom of the ocean.  In the silence every word is amplified, every interaction a raggedly inhaled breath.  I visit Anne, a friend from college.  She will have kids someday soon, it is written in her five-year plan.   I sit on her couch gingerly, worried that the leaden weight of my body could break it; like I could crash, tailbone first, into her cellar.  If I relax for even a second, I could come undone.

 

Metatarsals

 

When men stub their toes they howl like baby wolves.  They revert to childhood somehow, or pull their yelps from some layer of their ego that exists without expectations.  They forget that they have to be tough.  It makes me feel closer to them when I witness it.   I also have toes that are often stubbed, and I don’t howl, but I pinch up my face, and sit on the floor and take a moment to revel in self-pity.  If someone is in the room with me, I expect them to ask if I’m ok, even though we both know that a stubbed toe is both ok and not ok at the same time.  At any rate, there is no cure for a stubbed toe. But there is a remedy, which is to momentarily lose yourself in the pain, to howl, or pinch up your face, to sit on the ground and be asked if you’re ok. I stub my toe on Anne’s coffee table when I stand up from her couch, preparing to leave.  She does not ask if I’m ok this time, she is too worried about the other parts of me.  A toe is just a toe.

 

Vertebrae

 

I try to go to a yoga class for the first time in my life, a special one, just for pregnant women.  Compared to the other expecting mothers, I am made of ash.  I do not glow.  I follow along during meditation, trying to roll a ball of light up and down my spine.  It should float gently, a paper boat on a placid lake, but it does not work this way.  Instead, I feel my ball of light swirling violently down towards my abdomen.  My bulbous belly wants to capture the light and snuff it out.  The last of my hope drains through an umbilical cord, I leave the class quickly, before anyone can ask me when I’m due.

 

Ribs

 

Starla lives in a world populated by possibilities.  I don’t know where I met her, I pulled her from the twilight.  I’m endlessly thankful for her company.  Starla’s the only one I can stand to be around as I head into the seventh month of my pregnancy.  We smoke herbal cigarettes and contemplate the possibility that I am carrying a baby pterodactyl.  At times I could believe it, because whatever is in my womb seems intent on pressing against my ribcage, winging its way up into my chest cavity as though my belly is not enough for it.  I suspect that what I have to give will never be enough for it.

 

Skull

 

The contractions come on all at once, as though someone is wringing my guts out like a sponge.  Something is wrong and I know it right away. I call no one but a taxi.  At intake I give all the wrong answers. They just started? And they’re how close together?  It’s like the nurses want me to make sense of it for them.  Finally, I’m taken to a hospital room with horrible yellow wallpaper- the color hurts my eyes.  I feel everything, including something beating against my pelvic wall.  The small fists turn to claws and it is pulling apart my flesh- burrowing its way out.  My screams are disembodied and go unanswered by the nurses.  My distended belly button opens-a new eye.  Finally, some doctors rush in, but they freeze when I rip back my sheet and show them the hole in my stomach that is opening up.  Inside I’m just black, no blood.  Whatever is pushing out of me is doing so without the benefit any natural lubrication.  It’s dryness scrapes through every inch of my insides and I pass out- missing my pillow and banging the back of my head against the wall.

 

Humerus

 

I’m dragged from my sleep by a blood pressure cuff squeezing my upper arm.  The nurse that is taking my vitals will not acknowledge my consciousness.  Hey… I begin but she cuts me off, The doctor will be with you shortly.  An IV drip runs into my other arm, just above the elbow, I bend my arm to feel the catheter burrowed into my vein.  I realize now, that I should be cradling a baby, and for the first time I really want it.  I want to look into its filmy eyes and rest it’s clenched up fist against my chest.  Hey, I want to see my… The nurse whisks out of the room before I can finish my sentence.

 

 

 

 

 

 

 

Scapula

 

I arrive at my apartment with the bundle of dead matter that the doctor forced into my arms.  No one had an explanation to offer, the only thing they would tell me was that my health was stable, that I could go home.  I toss the prescription for Valium that the doctor gave me into the trash. The fear and anger and confusion is a rubber band stretched to breaking point between my shoulder blades. I can’t breathe or sit. I try to take a hot bath but I sink to the bottom like a petrified piece of wood. I finally unravel the blankets to look at the dusty heap inside: a ball of yarn made from human refuse, hair, teeth, nails and bones.  I sink my fingers into the repulsive mass and begin separating the bones from the hair.

 

Wishbone

 

As I complete the gruesome task, I find myself hoping that there is a wishbone amongst all the tiny bones and filaments.  I know that most creatures don’t have wishbones. It doesn’t matter now if the wishbone would have caused a deformity.  The child didn’t have a life to live, deformed or not.  If I found a wishbone, I would set it aside- the only bone that I would not glue onto the black, card stock backing.  I would grip both sides of the wishbone myself, so that my wish would come true no matter which way it broke.  I would wish for a baby, a soft, living one filled with the novelty of breathing. I would close my eyes and pull.

Appendix:

n

Andrea Dreiling is a writer and artist from Denver, CO.  She has been featured in literary magazines like Teeth Dreams, Birdy and Stain’d.  Follow her shenanigans on Instagram @dread._ofbunnycauldron. 

12/15/09 – jen kolic

jen kolic

I broke into your house not knowing what I was looking for. You, maybe.

Instead there’s an overturned stroller in the living room. Piles of clothes that must be yours. Empty picture frames like open mouths. Your mother’s dishes.

You’re dead, and I’m dying.

Through every window you watch me from the dark porch, waiting for me to say it. Waiting for me to open my mouth.

In the attic the rain is deafening. And you’re down there somewhere. Sprawled on the garage roof or the front lawn or Cherry Avenue. In every memory your eyes are already vacant. I never liked it up here, the sloping ceiling pressing down to meet me, and all the sleeping rooms below.

There aren’t any stars tonight, and anyway they’re not for us. You’re dead. And I killed you. And I’m dying.

moon

Jen Kolic is a writer, editor, and know-it-all living in Denver. She co-hosts Queen City Companion with Brian Flynn, and Mutiny Book Club with Byron Graham. Jen enjoys cats, junk food, and mystery novels, ideally all at once. 

Photo: Yener Ozturk

on bones – shelby yaffe

sweat.jpg

If I could give you the beat
I think King David danced to
I would use my rib bone as
my holy drumstick, my skin
pulled taut to be my drum, taut
like women pull at their flesh
in the mirror when they cry

If I could give you a boat
hewn from my own clavicles
bound with red cord, mortared with
red lipstick, I would let you
laugh and jump in the water
and I would glow when you called
my bones useful, sharp, precise

If I could give you my bones
weapons brittle and moonlit
with sewing needle scratches
the flaws of a blood diamond
I would say, Bones do not cry
Bones have no mouth to open
when they scream into the grave

moon

Shelby Yaffe is a queer author, poet, and singer-songwriter living in Denver. Her short fiction has been featured in the Fast Forward Anthology Flash 101: Surviving the Fiction Apocalypse and in Suspect Press. Shelby would love to write a poem for your girlfriend. You can find out more about Shelby and her work at shelbyyaffe.com

Photo: Jay Halsey

where the color gets out – ghost #4

where the color

That person is a tight furrowing.
We are doctors of light, cauterizing
the wounds where the color gets out.
There are people who want to eat
your color. My last partner said,
half-eaten is eaten, & she was disbarred.

Having your color eaten by night wolves
is a subsequent inevitability: a sentient
outpouring of colorlessness. Everything wants
to eat. It’s gone before I look around.

cropped-ghost-january.jpg

Photo: Nick Sarro

new balloon – ghost #13

0000000 balloon

this is a death.

this the sound of a Boeing 747 knocking on your frontal cortex.

this is a purging of two-thousand and eighteen years of stop, of start over, let go, go home, be kind, deliver us from evil, love thy neighbor, tip your waiter, right side of the road, left side strong side.

this is a painter taking white #FFFFFF over everything except of course for

you.

 

this is my open palm telling you it’s okay.

 

you are okay.

 

you made a mess of yourself.

dirty laundry hanging from the dull blades of your ceiling fan.

dust lining the windows of your room.

 

start over.

 

press gently in reverse into the footprints you’ve left in the snow.

 

start over.

 

don’t give up.

 

give in.

 

suck in the sun, the sky, the dilapidated cars chugging down nowhere road so quick

and blow it out into a new balloon.

 

slipknot the string around your open facing wrist

and push off of the ground

into the sky which no one has actually been able yet

to measure.

 

cropped-ghost-january.jpg

Photo: Laurn Carrasco Morón

three poems – sam albala

girl and plane

half awake dreams

sam poem.jpg

dairy does that

I keep eating ice cream thinking it might save me.

                                                        from what?

who knows.

                                         the end of the world maybe.

fear of the end of the world.

                                                        dairy does that.

especially when you’re lactose intolerant.

 

 

middle finger to the patriarchy 

everyone loves a woman in distress.

                                 well tell everyone to fuck off.

 

cropped-ghost-january.jpg

Sam Albala is a poet nestled in the mountains of Colorado. She has a horizon habit and can often be found gobbling up the sky line while babbling about road trips, tea, and anatomical hearts, all with her mouth full of light. To see not-real-life horizons find @keepmindscreative on Instagram. To read more composed words, visit samanthaalbala.contently.com

Photo: Danny Trujillo

the ghost in the machine – programmed poems by s. cearley

S. Cearley’s statement on the work:

The poetry generation started in graduate school when I worked on an expert system project to write short stories called The BRUTUS project, which was mostly the work of Dr Selmer Bringsjord. Some years later I took some of the basic ideas and stripped them down further to generate concrete poetry. I stripped them down in the sense that the generation is much, much, much simpler when I did not have to worry about a plot and the structure necessary. Currently my programs use a large selection of text files culled from Project Gutenberg, and the text is stripped, the computer identifies words as parts of speech (sometimes incorrectly, sometimes the error is because the same word can be different parts of speech), and reconstructs sentences. From this I edit the output into a poem. Separately, in the graphical works I use elements of vector graphics to create a framework of boundaries for the text. The more I strip out of the text generation code, the more complex the linework (what I call the final framework to place the text in) becomes. I could combine both of these into one single program but then I would not be able to edit the text, and I still insert myself into this ghostly, inner spaceage creation. Once both are complete, the text is pushed into the boundaries of the linework, and the computer generates a title based on the text used in the poem.
In this process there is the machine brain, a ghost in the machine. It doesn’t understand what it is doing, and yet it still manages to apparate as an intelligence without body, splashing text across the screen as if it were truly there. Then I get to further modify that creative work. I am not so much an editor but a glitch made flesh – in glitch art, the computer is exploited to create seemingly random artefacts that give an aesthetic appeal. In this interaction, I do it to the computer. I glitch its output into something more interesting. (If the computer text generation was working ideally, it would churn out a typical human’s capability of poetry. Greeting card poems. So I affect the computer’s abilities, and I affect the computer’s output).

 

also some misapprehensions
“also some misapprehensions”
Eight kept houses of Nevada
“Eight kept houses of Nevada”
guns and bows and greyhound
“guns and bows and greyhound”
he never wearied of one church
“he never wearied of one church”
see under Subluxations
“see under Subluxations”

ghost january

S. Cearley can be found at futureanachronism.com, and on Twitter at @scearley.

south broadway ghost society – raising funds for first print journal

00 ghosts

Friends,

I am starting a gofundme to raise money for the first ever print journal to be distributed by the literary and arts collective I run, South Broadway Ghost Society, and I am asking your help by pledging anything you can to help, big or small.

In the last four months since inception, South Broadway Ghost Society has grown immensely. We’ve already featured hundreds of writers, poets, artists and photographers, many of which right of of Denver, on our online journal, our curated Instagram and on social media at large. We’ve hosted four very eclectic events thus far: a reading at Mutiny Information Cafe, an open mic for letters at the Corner Beet, an intimate poetry/music mashup at Green Lady Gardens and most recently, an art gallery/live music/poetry event out of Thought/Forms Gallery near the Arts District on Santa Fe.

Ghost Society has 100% of my heart in it. I’ve made a commitment to myself to dedicate at least ten years to this project, wherein I intend to continue hosting events and I am very excited to announce, start an annual print journal which I aim to have distributed as largely as possible. Outside of obvious avenues of distribution like local and chain bookstores, I also want to get the journal into metaphysical stores and would love to have tables at events such as the Denver Zine Fest, DiNK and the Curiosities & Oddities Expo. The magazine will be fully illustrated with art and photography featured against works of writing from every genre; poetry, non-fiction, essays, fiction, recipes, spells, whatever finds its way to us.

I am asking for your help to make that happen. Our goal of $999 would make it possible to have the foundation to build up from there, to pay artists who are accepted into the print journal and get going on distribution this October. Thank you for considering investing in this project which means the world to me.

Even if you can’t donate, you can help a lot just by sharing the gofundme page. You can find that page HERE.

Much Love,

Brice Maiurro
Founder/Editor-In-Chief, South Broadway Ghost Society

*Anyone who contributes $50 or more will receive a numbered first printing copy of the journal when it is available in October of 2019 mailed to you, or available for pickup at any of our events. Please include your address in the comments or email your physical address with the subject “Print Journal 50” to soboghosts@gmail.com.

Thank you.

South Broadway Press: 2018 in Review

blackbird

South Broadway Press was founded in October of this year, and that already feels like a lifetime ago. Over the last three months, there has been a plethora of amazing poems, fiction and non-fiction among other magic on the journal. I wanted to take a minute to look back at some of the highlights of the year.

a specific hell

A Specific Kind of Hell: Writing and Survival in America’s South

In “A Specific Kind of Hell: Writing and Survival in America’s South” Blake Edward Hamilton gives us an in-depth look at what it was like to grow up in the South as a young gay man and an outsider. Through his creative non-fiction essay, he paints an important picture of American climate that continues to be challenged today.

3

Three Poems by Sam Pink

In three short poems that seem to belong together, Sam Pink captures the magic of mundane moments of life, leaving it up to you to decided where between existentialism and nihilism they fall.

ghost selfie

Ghost Selfie by Alexandra Naughton

Alexandra Naughton combines selfie videos with paranormal activity in only 82 seconds. Watch it with the closed captions on.

bird

Girl Gone by Natalie Sierra

“Someone fed me nostalgia through a tube and I thanked him with my cunt…” begins Sierra’s poem and the momentum just keeps on from there. Sierra herself feeds us nostalgia through an undeniably strong, sardonic voice.

taco bell

Best Title of a Piece on The Journal

Recognition for best title of a piece on the journal has to be a three way tie between:

“Put Me on a Dog Leash and Make Me Eat Taco Bell of the Floor” – Nate Perkins

“A Wink May Be The Same as a Nod to a Blind Man, But That Doesn’t Mean He’s Going to Lend You His Credit Cards to Get a Bunch of New Spongebob Squarepants Tattoos Unless You’ve Got Some Pretty Serious Collateral” – David S Atkinson

and

“I Got Drunk and Pissed on the Side of Buffalo Exchange” by Ghost #62.

In “Put Me on a Dog Leash…” Perkins sends us barreling through the anxiety of money, relationships and depression at roughly 300 miles per hour.

In “A Wink May Be The Same As a Nod…” Atkinson gives a quick glimpse at the end of the world – where it’s really not that big of a deal.

In “I Got Drunk and Pissed…” anonymous Ghost #62 looks at self-destructive behaviors and seasonal depression.

I’m thinking there might be a correlation between long titles and apathy.

matchstick

Three Poems by Ahja Fox

In three poems, Fox looks at her relationship with her mother, her identity and God, giving us a better collective idea of where the poet is coming from and where she is headed.

There was so much great work on the journal this year. This is by no means a complete list, but really just a quick look at some of what really stood out to me. I highly encourage you to take a look back through the pages of the journal at all the amazing voices we’ve had the opportunity to share.

Thank you all for making 2018 a great year for South Broadway Press. I cannot wait to see what 2019 brings.

Brice Maiurro
Editor-In-Chief
SBP

two poems – ingrid calderon

annie spratt

lick

sweet lanterns, tender—pendulous ryles,
it lies, teeth clenched, between the gaps
youth lives somewhere, but not, if all—defiled
a vain tongue speaks, of past and present traps

a full beak drivels and remembers
what being thirsty brought
a sliver of the page in embers
old love seems to enjoy the knot

pitch and strike to sever hope
we sit upright on hardened wood
a foul beyond a wall, a slope—
he shows me teeth, undressed manhood/

age shows in corners/on mouths that curve
a habit earned and eaten/well deserved

richter

we see it, after an earthquake
the fragility—
in hot weather, we see it
we pulse with the sun and curse our impermanence
those quakes, and that sun, dance with our fate—
they twitch for our sanity—
they are contractions in our veins—yes—
these quakes—this heat—
they yearn to adapt to our digest—
and beg us to smash our bones delicately against another—and remain

SBGS December

Poet, amateur photographer, ex-Mormon & Civil-War refugee from a country you probably know nothing about (El Salvador), Ingrid Calderon made Los Angeles her home, and clawed her way through the English language. Most of her writing focuses on interweaving these subjects whenever possible. She has been published in OCCULUM, Electric Cereal, Dryland, Seafom Mag, Anti-Heroin Chic, Bad Pony Mag, L’Éphémère Review etc… After writing three chapbooks, Things Outside, Wayward, and Zenith, she continues to scribble nonsense into verse.  She hopes it resonates. Find her rants at notesofadirtyyoungwoman.com & on Twitter @BrujaLamatepec

Photo: Annie Spratt