I ACKNOWLEDGE MY MOUTH WORM | Aliza Saper

Image: Sergei Akulich

I ACKNOWLEDGE MY MOUTH WORM

What do I know of my own tongue and the taste of love?
For one thing, I savor the bitterness of envelope glue.
This is love;
and the metal of minor open wounds in the absence of band-aids or tissues,
and the rim of a water glass that has sat reverently on a nightstand for too long.
All the food I eat on a day when I don’t feel like eating,
and toothpaste…look at me, taking care of myself.

What does my tongue know of me, and the soft skin of my inner cheeks?
The spots where anxiety has compelled me to bite.
Blisters.
Blisters are kind of like love.
Too much friction, and evidence to show for it.
How many flavors of Chapstick?
Where sweetnesses and disappointments traverse the landscape.
An ecosystem within an ecosystem.
Mother tongue.
My mother, tongue.

A muscle strong from carrying all the messages that never made it out of me.
Laced with secrets, and receptors of breaths both known and foreign.
A transformer, look!
Slack, and pointy, and soft, flat, and rigid.
Hot dog!
Clover!
Funny faces are love.

My tongue is well versed in survival tactics;
like, how to breathe through smoke,
and how to hold, and hold, and hold tension.
Braving cold summer snow cones and steamy winter teas.
It maintains equilibrium when the rest of the body cannot.

What does my tongue know of travel?
Having trekked roofs, and hollows, and caverns.
Cavities, too.
A paleontologist in its own right,
and a philologist, and a virologist, and a cytologist.
Knowing of more -ologies than a brain might ever be.
Teaching me, and teaching me, and teaching me.
This is love.

For a prisoner of the mouth, my tongue manages to sustain a taste for life.
For love –
and the bitterness of envelope glue,
and the metal of minor open wounds in the absence of band-aids or tissues,
and the rim of a water glass that has sat reverently on a nightstand for too long.
All the food I eat on a day when I don’t feel like eating,
and toothpaste.
Look at me, tasting it all.

Aliza Saper is an original Denverite, and a wearer of many creative hats. She is the winner of the 29th Paul Rice Poetry Broadside Series Contest, and a 2018 National Poetry Slam qualifier. Currently, she is a resident teaching artist specializing in theatre arts integration; fiercely advocating for arts education, and spaces that support it. Her affinity for self expression, and meaning-making has led her to pursue endeavors in storytelling via the visual, literary, and performing arts. Follow her on Instagram: @aliza_lynn.

glad god said i’m allowed to be alive // Tall City

Image: Aditya Vyas

glad god said i’m allowed to be alive

BY TALL CITY

‘glad god said i’m allowed to be alive’ he said to whomever was listening,
sang a tiny song to praise god and included everyone in the room
buildings across the street bathed his armchair in rainbow neon
the combined aura of different advertisements at different distances
he sang a praise song to combat difficult feelings
the neighbor’s little girl asked him not to die until he got older
he promised not to die until he got older
so when she dies, everyone would be there to meet her in heaven
to walk her to her room

he washed dishes and wondered
if they were still rolling dice down the street,
he wiped down dishes and wondered
if all the stores were open,
he found his armchair was a neon tinted throne
his shadow on the floor held a stairway
he knew if he went down into the shadow stairway
he could keep going down forever
he wanted to go up instead
forever
but there was no staircase in the ceiling, not now
god said it was not his time to go yet
god said he was allowed to stay alive

there were just moths there, studying the lightbulb
there were just moths on the ceiling
with crushes on the lightbulb
he was sure the ceiling wouldn’t open until death
he promised her he wouldn’t die yet
she wanted to die now so she could see grandma
he assured her that grandma would still be there
he told her to live a life, find a man, have kids, grow old
she didn’t listen she was afraid of going outside
when she went to bed there wasn’t any music
just her voice improvising praise songs
to combat difficult feelings
he fell asleep before her

didn’t dream of anything at all
every night is a strange mystery
still he said ‘glad god said i’m allowed to be alive’
when he prayed at church we caught his cheating,
opening his eyes a crack to copy our wishes
opening his eyes a crack to check on his own shadow
to make sure there wasn’t a stairway there
to make sure the trapdoor was closed
so he wouldn’t fall into his shadow
and leave the sanctuary suddenly

the streetcorner crowded
the stores still open
the street goes past the bridge
but there it is just factories and warehouses
nobody there are night except those who don’t know what’s going on
the people who stand around like ghosts and
disappear when you turn your head to look

Tall City (Chris Bullock) was born and got bigger on Long Island, New York. He did a few things then moved to Colorado Springs after trying to study in Paris. He did a few things there too, then moved to Denver, where he went back to school for foreign language. A couple of years on scholarship in China, and he is back in Denver. 

Two Poems | Richard Oyama

Image: Max Fuchs

Thrift Shops

What you search for is
an approximation—

musk of old clothes,
utensils sans luster,

broken toys,
nicked plates—

disappearance of the new,
markings-down of the faded,

the distressed but
nothing to be done:

a secondhand life
exacts cost

and reduces value yet you’re
still in the hunt,

a fox burrowing among
burial mounds of apparel,

treadless shoes,
non-brand sports gear,

dubious appliances in
a cast-off world.

Green

Luis’s duckbill shadowed
His eyes. That’s how he
Liked it. He was quiet as a shadow.

When I elicited an answer, his mouth
Twisted into a rictus as though
Words were rudely forced.

It was a code not to be violated, how he
Came up, the homies he hung with. He was
A good-looking kid but thin

And slight. I see him in
Pendleton flannel and jeans. He
Merged into a wall like indios around

Garrulous friends, the cholas more
Butch than the boys. Fernando
His Guatemalan buddy

Drove a senior van, a stand-up dad.
Luis straightened up
And flew right one day then

Disappeared to Phoenix the next. Abigail
Called him a child. Luis
Offered to show me his gun tattoo. I

Forget when it was he told me about
The felony arrest over his head
After he pulled a Glock on a U.S. marshal. It

Wasn’t the drogas he dealt that was
The addiction, Luis said. It was the green.

Richard Oyama’s work has appeared in Premonitions: The Kaya Anthology of New Asian North American Poetry, The Nuyorasian Anthology, Breaking Silence, Dissident Song, A Gift of Tongues, About Place, Konch, Pirene’s Fountain, Malpais Review, Buddhist Poetry Review and other journals. He has a M.A. in English: Creative Writing from San Francisco State University. His first novel in a trilogy, A Riot Goin’ On, is forthcoming.

Acid Rain Epithalamium | Becca Downs

Image: Thomas Charters

Acid Rain Epithalamium

this isn’t the rain we asked for
it runs like lava down leeward
rocks, seizes the cities, it
looks like smoke sizzles
on pavement like hot grease
but might it still wed weeds
to soil might corn still marry
earth & sky in late july could
it still caress valleys soak
hollers dress mountains
in a technicolor coat of wild-
flowers temper flames
that torch the mountainsides
could the children still grow
healthy & tall soft-skinned
& singing to open acrid sky
this isn’t the rain we asked for
but it is the rain we’ve made
love to dropped to one
knee bound ourselves for life
this could be a celebration
windborn praise songs
crawling toward mountaintops
bodies dancing by moonlight
bring your pots to the bonfire
let us boil what drips off eaves-
troughs into our gaping mouths

Becca Downs is a poet, freelance writer, and MFA candidate with the Mile-High MFA program at Regis University in Denver, Colorado. Her work will be published in the upcoming anthology Take The Fruit, Flood The Desert, and has previously been published in Sorry for the Inconvenience: an Anthology of Queer and Trans Voices, Flying Island Magazine, Glass Mountain, Ecletica, Jupiter Review, Heartland Society of Women Writers, genesis, and more. She enjoys hiking, exploring new places, and finding the best donuts wherever she travels.

Firmament | Eric Ranaan Fischman

Image: Saad Chaudhry

Firmament

My boss asks me to watch 16 hours
of camera footage. Instead I watch dandelions
lose their heads at the slightest breeze. Nearby weeds
shed their mustard petals. The sky dares me
to name its every shade of blue. Cotton, Chromium,
Seafoam, Tremor. There are more
important things to worry about today than work,
like breathing the grass-cut air, catching
the sun’s bright spears. The swollen clouds are
an army of angel wings descending.
I watch their feathers fall.

Eric Raanan Fischman is an MFA graduate of Naropa University’s Jack Kerouac School of Disembodied Poetics. He has taught free writing workshops in Nederland, Boulder, and Longmont, Colorado, and has had work in Bombay Gin, Boulder Weekly, Suspect Press, and many more, as well as in local community fundraising anthologies from Punch Drunk Press and South Broadway Ghost Society. He also curates the Boulder/Denver metro area poetry calendar at boulderpoetryscene.com and is a regular contributor to the BPS blog. His first book, “Mordy Gets Enlightened,” was published through The Little Door in 2017.

The Tyrant Smells Decay | Jen MacBain-Stephens

Image: Denny Müller

The Tyrant Smells Decay  

 Stop seeking a reality

 Neither sound nor trace 

 Relieve empty scavengers

 Of chemical spills and

 Luxury boats

 The sharks have nothing left to chew

 This ferry is optimistic

 When the world ends

 You’ll get there anyway

 Fingers work a video game

 Of delusional fuckers

 And farmers markets

 A terrible Frankenstein

 A real piece of living art

 Roll and pitch master

 You’ll be happy

Building a terrible thing

 


This is a found poem from Grant, Mira. Symbiont. New York. Orbit, 2014. Print. Pages 444-472.

Jen MacBain-Stephens (she/her) went to NYU’s Tisch School of the Arts and now lives in Iowa where she is landlocked. Her fifth, full length poetry collection, “Pool Parties” is forthcoming from Unsolicited Press in 2023. She is also the author of fifteen chapbooks. Some of her work appears in The Pinch, Kestrel, Cleaver, Dream Pop, Slant, Yalobusha Review, and Grist. She is the director of the monthly reading series Today You are Perfect, sponsored by the non-profit Iowa City Poetry. Find her online at http://jennifermacbainstephens.com/.

Full Moon Reflecting off the Peaks | Donnie Hollingsworth

Image: Nathanaël Desmeules

Full Moon Reflecting off the Peaks 

As snow does to a fire                                                                                                                             
gods who bit flowers of ink
a nest of mad kisses down the long black river                                                       
the milky way    sky’s pale vertebrae                                                                  
archipelagos of stars

framed between small branches

blossoms of small arms , nails us naked to the color                                                                 
of pink hyacinth singing    singing                                                                                                    
in deep red ripples                                                                                                                              
your voice is a pale street lamp on calm black water

just (a word planted by the water  

before I am a stone in a stone-swallowing river      
thrown 


into





sleep













————————————————– your eyes

Donnie Hollingsworth has lived in many small Rocky Mountain towns and currently resides in Lamar, Colorado–where he teaches Art and English at the local community college–with his wife, cat, and dog. His art can be found here.

Toads in Bermuda | Charlie Brice

Image: Eduardo Soares

Toads in Bermuda

Only one cashier at the Giant Eagle today.
I’m stuck in aisle 7 that begins
with broth, stock, and soup
and ends with canned vegetables.

I stare at a can of Jolly Green Giant green beans
and wonder if, at 72, I’ll live long enough
to get to the beef broth, much less to Amber,
the patient and weary checkout lady.

Everyone fiddles with their phones. I pull
mine out and say to the young couple
behind me that I’m calling my attorney because
I want to make out my will. They egg

me on with laughter. Let’s gather kindling, I say,
make a fire, roast s’mores, sing Kumbaya.
We’re bonding, I say, and they laugh some more—
laugh at the old coot in aisle 7 near the veggies.

Earlier, at the deli, a sign reads, “Everyone’s having
trouble getting workers. Be kind to the ones
that showed up.” A man behind the counter says,
“Can I help you?” “Is that a Boston accent

I hear?” I ask. “Actually,” he says, “I’m English.
Been in Pittsburgh for forty years.” I learn
that if you’re from England and live in Pittsburgh for
forty years, you sound like you’re from Boston.

Later, in the grossly understaffed Post Office where
Janelle, the sweetest and most patient person
on the planet, is, as usual, the sole agent at the window,
a man in line behind me asks where the Express

Mail envelops are. “Is that an Australian accent I hear?”
I ask. “No,” he says, “I’m from Bermuda.”
“We used to vacation there when our son was little,”
I say. I tell him how Ari and I would go on

toad hunts at night, how the toads, of which there were
hundreds, would exude an hallucinogenic spray
when you picked them up. Once, when my wife asked
Ari how the toad hunt went he said, “That un-

conscionable toad peed on my daddy,” which was pretty
sophisticated for a five-year-old. In the morning
we’d find hundreds of toads flattened by mopeds the
locals drove. “There are hardly any toads left,”

the man from Bermuda says. “They’re going extinct
along with bees, bats, and frogs.” We stand
in silence for a few moments. Then he says, “We used
to have a joke about the toads.” “Tell me,”

I say. “Why does a toad in Bermuda cross the road?”
“Why?” I ask.
“To find his flat mate,” he says. We laugh about that.
Janelle laughs too.

Charlie Brice won the 2020 Field Guide Poetry Magazine Poetry Contest and placed third in the 2021 Allen Ginsberg Poetry Prize. His sixth full-length poetry collection is Pinnacles of Hope (Impspired Books, 2022). His poetry has been nominated three times for both the Best of Net Anthology and the Pushcart Prize and has appeared in Atlanta Review, The Honest Ulsterman, Ibbetson Street, The Paterson Literary Review, Impspired Magazine, Salamander Ink Magazine, and elsewhere.

The Year Of The Rabbit | Ted Vaca

Image: Ella de Kross

The Year of the Rabbit

after the blast
or the fireworks on tv
after the kiss or the wish

to sleep eventually
in the den

the morning will come

that huge bright burning giant
will shine
as you are suppose to

in its glory you too will rise

you may shake
then scratch your head
rub your eyes
then open

wow 
what a place
we find ourselves on

this big blue and green
scream / a marble
spinning 
tumbling 
through
what seems to be
eternity

in the blink of an eye

what are you to do
with it

(this is a question asked
with infinite possibilities)

go then now
and do it

do one

quick before the shadow
before the night or the day
ends
for who knows
when you’ll go

best get a heads start
on it
best get to it
best go dancing
put on your super suit
and make your fate

to mean something
here
where we lie
or,
stand in line
with chance

choose

go be gifted is the line 
the rabbit races toward
if you can run alongside 
the hare
then learn learn it all
open the book that stands
green upon prairie
at dawn
nibble at it
share all you’ve read by others 
that have lifted
the pen the key the grass 
the thought 
the heavy dirty learning
with a dim lamp in the dusk 
yearning for life
go be a gift 
go be a being that lifts 
be akin
a family bearing gems
go be wild 
in life 
and in dreams

dare often as atoms that smash
go rise above the noise
go rise lift yourself up
to give ear
to 	your voice
your 	chance
your 	doing
your 	wish

you put forth
you pull forward

the universe lifts

Ted Vaca, Denver poet father lover crime fighter / semi holy somewhat sweet can be bitter / published here and there / Founder of The Mercury Cafe poetry slam / Coach of the 2006 Championship Denver Slam Team / Member of 1995 Championship slam team from Asheville NC / Intergalactic Provocateur

Languishing | Eli Whittington

Image: Josh Hoehne

Languishing

Oh!
How we languished!
How we laid, and sat, and crouched
In shady buildings
As the sun burned above
How we scrolled, eyes rolled
Glazed
How we tucked fingers into familiar patterns
Familiar shapes greeted us
How we giggled inanely at short silly videos
How we condemned
Strangers from afar
How we fretted!
How we exhausted ourselves
Doing nothing
And never slept.

O,
How we languished!
In the shade we laid
And sat and crouched
On porch steps and stoops
As the sun burned
Freckles into polaroids of summer memories
How we rolled cigarettes
And plucked strings
Into familiar patterns
How we condemned politicians from afar
And fretted
About garden pests and
Polluted rivers.
How we exhausted ourselves
Doing nothing.

And O!
How we languished!
Grins splitting like ripe fruit as we
Sat and crouched
On leaf-littered ground and
Moss-covered tree-limbs
We laid in the shade of fruit-bearing trees
As the sun simmered above
How our eyes glazed in the dappled shade of the canopy
How we tucked fingers into familiar fur
Nibbled our neighbors lice
Giggled inanely
At our children’s antics
How we napped!
How we fought
Strangers from afar and
How we fretted
When the storms
And the big cats came
How we exhausted ourselves
Doing nothing
And slept
Like the dead.

Eli Whittington published a book entitled “Treat Me Like You Treat the Earth” in 2019 through Suspect Press. Eli is a queer, bi-polar Colorado-raised and Denver-abiding poet.  They are a parent, a singer/songwriter, gardener, carpenter, tiler, biker, and hiker.  Despite these character flaws, they do not enjoy IPAs.  Their love of folk-punk remains unexplained, as they are not an addict, are well over 20, and have functioning eardrums.