Rooms | Liza Sparks

Image: Guillaume Lorain

Rooms 

“I dwell in Possibility—”
-Emily Dickinson

Every
body has a right
 to shelter in a home.
To be safe from cold, the heat,
the storm.

///

We want a house built by the people / we want walls of justice / 
we want liberation / we want windows and doors of possibility / 
look outside / in a world where everyone has a home / 
anything is possible / how do we transform / 

///

“Home is where the heart is.” The heart is the size of your fist. 
Some things are worth fighting for.

///

Homelessness is not a choice. 

Criminalizing survival is unconstitutional.[1]

///

The body—
my body is made of rooms of memory—
The body—
my body is made of hallways—
The body—
my body does not remember—
The body—
my body remembers everything

///

Here is my skin. Imagine all of the things I have touched.
Here are my bones. 

///

I do not remember leaving the dwelling of my mother’s body.
I do not remember being born.

///

What does it mean to care for another? 


[1] Denverhomelessoutloud.org

Liza Sparks (she/her) is an intersectional feminist, writer, poet, and creative. She is a brown-multiracial-queer-woman living and working in Colorado. Her work has appeared with Ghost City Review, Bozalta Collective, Cosmonauts Avenue, and many others; and is forthcoming with Honey Literary, Split This Rock’s social justice database—The Quarry, and will be included in Nonwhite and Woman Anthology published by Woodhall Press in 2022. Liza was a semifinalist for Button Poetry’s Chapbook contest in 2018 and was a finalist for Denver Lighthouse Writers Workshop Emerging Writer Fellowship in Poetry in 2020 and 2019. She is a poetry reader for The Chestnut Review. You can read more of Liza’s work at lizasparks.com, IG @sparksliza534, or TW @lizathepoet

This poem is from South Broadway Press’ new anthology, Dwell: Poems About Home. Purchase here.

Apartment | Wheeler Light

Image: Nathan Dumlao

You open the apartment door and it is just wood. Wood behind the door. You need to enter your apartment. To sleep. To work. To clean. You burrow into the wood with a small drill bore. You carve a desk inside the wood. You leave legs of the wood in each corner of the room so the wood roof doesn’t collapse on you, crushed by mahogany in the night. You wake one day and it is raining paper. A hole has split in the wood from all the paper where it was leaking from the bathtub upstairs. The paper is covered in all your upstairs neighbor’s poetry. Your upstairs neighbor is always so loud, crying for whole weeks at a time. Your neighbor is so loud the sound bleeds through the mahogany. The mahogany is now spilling into your bed, your bed you carved yourself out of the desk, the desk which appeared behind the door, the apartment which was drowned in poetry. The future that is always words.

Wheeler Light is an MFA candidate at the University of Virginia. His work has appeared or is forthcoming in Hobart, Pretty Owl Poetry, The Penn Review, and Broadsided Press, among others. His work can be found at www.wheelerlight.net


This poem is from South Broadway Press’ new anthology, Dwell: Poems About Home. Purchase here.