
BOOK REVIEW:
SOFAR BY ELIZABETH BRADFIELD
A BOOK REVIEW BY SHELLI ROTTSCHAFER
Sofar is Bradfield’s fifth collection of poetry and it demonstrates how her craft has come so far. In it she intertwines her love of nature, her understanding of ecology, and how the waves off Alaskan shorelines as well as her Cape Cod home have shaped her. The sea floor, its swells and dimples, peaks and trenches are, “proof/ that what’s hidden can still be sensed” (3).
She comments on her life, how her emotions list like a boat, swaying from one side to the other. Tipping, “At/ the edge of what felt right. And now, / here we are” – she learns to float, to lean into herself and her being, to selvage after a storm (5). To pick up the pieces that have been discarded like flotsam.
Bradfield notices seasonal changes and “the change” of her body. Both are unexpected (6). She compares this strangeness with the surging emotions of her adolescent self as compared to the retreat that she now is experiencing upon reaching five decades. Her poems give testimony to her coming out and her understanding as a queer woman in a misogynistic world. Each tide are transformative and, “as capable / of damage as any / ungiving thing” (6).
In “Marlinspike” she observes herself and the many lives she has had, as boat hand, as naturalist, as poet – “despite the fact [that she] was a girl” (27). Bradfield is compelled to go forward to keep moving, to follow her bait line so she, “can drift at last / from what holds us tight, what / binds us to such boring normalcy” (27). And clearly in stating this her life’s path is everything BUT a complacent normal.

Rather she embraces her voyageur-self. “Vagus means wandering. My days vaguer / and vaguer. Was it yesterday or last year…. Where did time go?” (46). Bradfield recognizes she is buoyed, lifted up and jettisoned. An estrogen-related propulsion, a uteral roam within a world she wishes to explore.
Her sights are added by, “Ded Reckoning” (48).
To know where you are and when
you’ll get where you’re going,
to deduce via reckoning, look to landmarks…
The known….
Which hold unknowns.
And through these renderings Bradfield has come to, “know / roughly where [she is]” (48) proving that life lessons are a constant moving equation.
In “Held/Treasured/Secret” Bradfield carries fragility within her. She knows life is fragile like a paper nautilus. She cups it in her hand, fingers curl shell-like. By doing this, she understands that what she holds dear is a responsibility. Picking it up, carrying it this far, requires a vigilance. Yet decerning when it must be set down is the ultimate lesson of letting go.Elizabeth Bradfield furthers these lessons as an educator. She teaches at Brandeis University in Waltham, Massachusetts and is the Director of Poetry at Western Colorado University’s low-residency MFA in Creative Writing Program in Gunnison. Her work is heavily lauded. Interpretive Work won the Audre Lorde Prize in Lesbian Poetry. Approaching Ice was a finalist for the James Laughlin Award. Cascadia Field Guide: Art, Ecology, and Poetry was a winner of a Pacific Northwest Book Award. She also is the Editor-in-Chief of Broadsided in which Ekphrastic Poetry is in conversation with artwork.
SOFAR
BY ELIZABETH BRADFIELD
AVAILABLE THROUGH PERSEA

Shelli Rottschafer (she / her / ella) completed her doctorate from the University of New Mexico, Albuquerque (2005) in Latin American Contemporary Literature. From 2006 until 2023 Rottschafer taught at a small liberal arts college in Grand Rapids, Michigan as a Professor of Spanish. She also holds an MFA in Creative Writing with a concentration in Poetry and coursework in Nature Writing from Western Colorado University (2025).
Shelli’s home state is Michigan, yet her wanderlust turns her gaze toward her new querencia within the Mountain West where she lives, loves, and writes in Louisville, Colorado and El Prado, Nuevo México with her partner, photographer Daniel Combs and their Pyrenees-Border Collie Rescue.
Discover more of Shelli’s work at: www.shellirottschaferauthor.com


