A GUIDE TO SLUMBER; A TIRADE WITH TANGENTS; A MANSPLAINING; A SURRENDER | Dustin King

Image: Spring Night By Russell T. Limbach, 1928

A GUIDE TO SLUMBER; A TIRADE WITH TANGENTS; A MANSPLAINING; A SURRENDER

BY DUSTIN KING

I was asked at a party how I sleep at night
it is a delicate balance
we dread the midday nod the yawning
the staring beyond consternation missing invital information

we dread midnight MRIs self-diagnoses silly ruminations
false revelations realizations we assume true for everyone

pharmaceuticals failed us fucked us up we can’t get into it
so CBD melatonin in a pinch
but it makes us groggy
black-out curtains ear plugs
but what if we miss the first screams of catastrophe
plus wax build-up

we avoid alcohol caffeine
one sip and we stay up laughing with whoever will have us

masturbation is unreliable
it sends us across wastelands of regret wanting
we were someone else with someone else

our minds like dreams like our lives
a notebook of scrawl left in the night
pages flapping tearing scattering
we try to gather

our hands pinned beneath us in unholy yoga poses
we sign curses into grimy sheets
we throw our phone across the room
oh, would we could snap it in half

peer in windows
neighbors’ faces lit yellow by the light of the netherworld
ogling netherregions
portal through our very hands

or through the refrigerator in front of which we stand scratching ourselves

light light light
squeezes through every pinhole and crevice like water
or an octopus
tentacles reach for us we reach for tentacles
we march across an alleyway to smash a floodlight with a chunk of pavement
but the blue blink of laptop modem humidifier moonlight starlight dawn

signals to somnambulate the streets
come to at front doors of exes burning with shame
lovers who burned in bed with the heat of a lightning strike
body-locked us like pro wrestlers

we writhed free gasping for air
extinguished ourselves in a cold shower

do co-habitators bind and gag each other?
do they sleep the sleep of dogs in dens sharing heat and odors?

in dreams we fall but never hit ground
flirt but never fuck
if we rise to pee
as we must once twice a night
we can only contemplate bedwetting for so long

we stay the dream in our heads
even if the home invader’s head vibrates and falls back on a hinge
the horror softens once we
welcome the dark figure under the covers

memory’s phantom limbs wave
dream bits like bone shards
if we could recall it all
we’d desire nothing but the thrill of rest
the earth might replenish

we’d only wake to whip-poor-wills like our brother whispering in his sleep
warblers like mom and dad are fighting
wrens like they make love one last time

Dustin King would always rather be sneaking a bottle of wine into a movie theater. When nothing good is playing, he teaches Spanish and exchanges dreams with loved ones in Richmond, Va. His poems pop up in The Tusculum Review, New Letters, Ligeia, Marrow Magazine, samfiftyfour, and other rad spots. He is a poetry reader for Sublunary Review and curates the poetry and performance event “Yodel Farm.” His first chapbook “Last Echo” is now available from Bottlecap Press. His second “Courteous Gringo” will be out this summer from Seven Kitchens Press.

In the end, everything dies. | Cailey Johanna Thiessen

Image: Mario Verduzco

In the end, everything dies.

The mold, the spoil,
the mushrooms rising
from damp wood.
All around us the house caves in;
fading rays of sun
illuminate the decay,
and we breathe deep
the rot. Our bodies grow
twice their size
before we start to disappear,
before the fungi take root
and all that’s left
is life.

Cailey Johanna Thiessen (she/her) grew up between Mexico and the United States. She writes in English and Spanish and sometimes a mix of the two. In addition to writing poems, she works as a translator and is an editor and founder of Last Leaves Magazine. She released her debut chapbook Wilder this year, and her poems have been published in 8 Poems, Willard and Maple, Cecile’s Writers, Hispanecdotes, and more. When she’s not working with poetry, you might find her doing embroidery, walking her Frenchie Earl, or eating really good food with her husband.

Quilt | TAK Erzinger

Image: Victor Grabarczyk

Quilt

Yes, there is a finish

life, it twists, frayed
at the edges, its seams
expose where dreams and disappointment touch

the day’s reach, slenderest blue
heaven, heaviest cloud, longest hour
past youth’s back door, what we experience

how many twists can be endured,
split, cross section after cross section
each thread pulled through the eye of a needle

it appears misshapen but every block creates a pattern
mistakes, landscapes of torn cloth create a thing of beauty
as each fabric, stitch and multi-layered piece
completes the bed we can finally take shelter in.

TAK Erzinger is an award-winning poet. Her collection At the Foot of the Mountain (Floricanto Press California, 2021) won the University of Indianapolis Etching Press, Whirling Prize 2021 for best nature poetry book. It was also a finalist at The International Book Awards 2022, Willow Run Book Awards and Eyelands Book Awards. Erzinger’s forthcoming poetry collection Tourist (Sea Crow Press, Massachusetts) is due out in April 2023. Erzinger is an American/Swiss poet and artist with a Colombian background. She lives in a tiny hamlet in Switzerland with her husband and two cats.

Letitia’s Memories | Sylvia Byrne Pollack

Image: Keith Chan

Letitia’s Memories

are silent films    slapstick and melodramas
projected onto old white sheets   hung 
inside her skull    If she wants a sound track 
she has to create it herself

Memories blur   and   emulsion molds   
even on precious 35mm Kodachrome slides   
evidence of her family   her childhood   
her dogs   Lassie   and   Bambi

She squirrels letters   photographs   clippings   
opera programs   museum tickets   trip itineraries   
in 8 x11x 4 inch boxes on shelves in her study 
She can’t remember what’s in the boxes   

Who cares what’s in the boxes – 
a memento is not the memory    

Memory requires mind   electrical waves sweeping 
over the cortex   sweeping cobwebs from corners   
swapping one year with another   one face with another   
flux of memory trails through forests of fact and fiction

Memories do not stay stacked neatly in boxes 
but dribble   foam   seep   sublime onto the rug   
into corners   over window sills   flow down 
the clapboards on the side of the house

They trip her up when she goes outside to water 
the garden   Tigers of grief pounce when her back 
is turned    Sudden tears on the anniversary of her 
mother’s death even though it was more than fifty years ago

To look back is to flirt with becoming 
a pillar of salt    but   says Letitia   
with a shrug   it adds needed flavor 
to whatever I’m stewing in today

Sylvia Byrne Pollack, a hard-of-hearing poet and former scientist, has published in Floating Bridge ReviewCrab Creek Review, The Stillwater Review and many others. A two-time Pushcart nominee, she won the 2013 Mason’s Road Literary Award, was a 2019 Jack Straw Writer and a 2021 Mineral School Resident. Her debut full-length collection Risking It was published by Red Mountain Press (2021.) Visit her at www.sylviabyrnepollack.com