two poems – ghost #218

three phones
Dirge
Let’s wonder how awkward it is not just for us,
the ones standing around up-skirted ground,
but how spine splitting it must be for the man who never met her
yet now finds himself here super gluing the container for her remains shut.Let’s talk about her virtues.Let’s attempt to ray trace our memories
and recall instead why we don’t have steady hands.Let’s strand ourselves shaking and lonely
in a room full of her, and our, dearest friends.Let’s tell each other stories we’ve heard before.Let’s try jokes if that’s doesn’t work.Let’s all stand around and stare at the dirt.Let’s find it strange that they don’t play sad songs at a funeral.
Let’s think it a denial of truth
but in retrospect admit that nobody really needs another reason to cry.Let’s talk less about the woman we lost
and more about the God who’s said to have taken her from us.
Let’s remember that’s most of the reason why I hate Catholic services.Let’s carry the unpleasant of our world squarely at the base of our throat.
Let’s feel the swelling.
Let’s feel like a snake having eaten an elephant.
Let’s not like the taste in our mouth.Let’s tell each other it will get better.Let’s watch her husband and two sons
with their heads bowed inward
forming a lopsided triangle
with no corner to it’s lips.Lets let them be silent.Let’s voyeur ourselves into its center.Let’s miss her.Properly.I don’t like the taste in my mouth.

Let’s still have to work on Monday
and say to our manager
“I’m well, how are you?”

Let’s recall how artificial a funeral is.

Let’s regale our friends with stories
of a woman they never met

and never will.
Let’s miss her.Let’s write this poem from a collective perspective
to distribute the trauma away from ourselves,
to disguise our self obsession,
to emphasize the fact that all grieving is valid,
that my grievances with her service are small,
that I wasn’t the one who knew her best,
that I’m not the one who misses her most,
that I still miss her all the same.Let’s miss her all the same.
Let’s feel the guilt in tandem.
Let’s not like the taste in our mouths.Let’s miss her all the same.

Reprise

In my coat closet you’ll find no Narnia,
only the gained crop of past lovers lost.
On the bottom shelf you’ll find a dust crusted box
stuffed with knickknacks and old box office tickets
politely labelled “in case it doesn’t work out.”
Beside that you’ll find an old waitstaff hat
and a note that claims some semblance of perspective.
I suppose I might go back.
Call it a second first act,
and act content.
After all, not everyone is meant to be loud,
and shouting matches rarely spark healthy fires.So let’s say
“ぜんぶ人 c’est la vie.”
We’ll make a shitty mix-tape.
Call it the Fall in love with a stranger EP.
We don’t have to agree
on what predicates celestial value,
or what rhetoric to apply
in each other’s eulogy.
Just —
Tell me
I’ll be ok.
Please.
SBGS December

11:58 pm, our lady of the broken cup – joshua espitia

our lady

Church lets in around midnight
Sunday heading into Monday
to the bells of clanging dishes
and music too loud coming from
open kitchens where high dropouts
laugh, yell, and sling runny eggs
for masses of people dying for
an opiate to soothe minds lingering
on things lost and opportunities
missed while they sit in red vinyl
booths lighted by window sign
promises that they’re welcome,
24/7, for the best food in town,
the flickering pink neon casting
cold halos around heads bowed
over black coffee praying that this
time they’ll get that job or win on
that scratch off ticket, or maybe
tonight he won’t be filthy drunk
looking for love or blood or both,
or she’ll walk through the front
door and sit down with him and
everything will be like it used to

They leave their offerings in wads
of ones folded around loose change
for white-shirted, chain-smoking
angels to carry home for the laundry

SBGS December

Joshua Espitia is a former managing editor of The Windward Review literary journal. He has received Texas Intercollegiate Press Association and Haas writing awards for his short fiction and has twice been a panelist at the People’s Poetry Festival. Currently he lives in Corpus Christi, Texas, where he writes bad comedy for the The Vent Daily and pays the bills as an ESL teacher.

Photo: Chris Liverani

two poems – ingrid calderon

annie spratt

lick

sweet lanterns, tender—pendulous ryles,
it lies, teeth clenched, between the gaps
youth lives somewhere, but not, if all—defiled
a vain tongue speaks, of past and present traps

a full beak drivels and remembers
what being thirsty brought
a sliver of the page in embers
old love seems to enjoy the knot

pitch and strike to sever hope
we sit upright on hardened wood
a foul beyond a wall, a slope—
he shows me teeth, undressed manhood/

age shows in corners/on mouths that curve
a habit earned and eaten/well deserved

richter

we see it, after an earthquake
the fragility—
in hot weather, we see it
we pulse with the sun and curse our impermanence
those quakes, and that sun, dance with our fate—
they twitch for our sanity—
they are contractions in our veins—yes—
these quakes—this heat—
they yearn to adapt to our digest—
and beg us to smash our bones delicately against another—and remain

SBGS December

Poet, amateur photographer, ex-Mormon & Civil-War refugee from a country you probably know nothing about (El Salvador), Ingrid Calderon made Los Angeles her home, and clawed her way through the English language. Most of her writing focuses on interweaving these subjects whenever possible. She has been published in OCCULUM, Electric Cereal, Dryland, Seafom Mag, Anti-Heroin Chic, Bad Pony Mag, L’Éphémère Review etc… After writing three chapbooks, Things Outside, Wayward, and Zenith, she continues to scribble nonsense into verse.  She hopes it resonates. Find her rants at notesofadirtyyoungwoman.com & on Twitter @BrujaLamatepec

Photo: Annie Spratt

girl gone – natalie sierra

bird

Someone fed me nostalgia through a tube and I thanked him with my cunt
He said please can I have another but I was tired and turned into a bird
I am good at this
The milk pours cold into a glass reaching up to broken lips and checked by tongue
down a parched throat what a wholesome image I have created for you don’t you see
She strangled herself with a telephone wire and called the whole town to come over
The neighbors all agreed that the body didn’t even look dead
“She’s just resting.”
Find me online, find me on the flower, find me on the vine
In the night comprised of stars made of broken balloons
spill me across your pages, look at how pretty I can be for your gathered memory
Do you like me now? As a flown bird? As a compass removed from the magnetic pulse of
the earth a trembling needle spun backwards bent

I have not spoken to you
Dear Lost One, Dear Me, Dear Girl Gone Behind The Morning
I never have I never will not that I don’t seek you in gloaming trust in thankless dawn in the shower when I can hear myself think beneath drumming water though the neighbors peer at me through broken windows and thank me for sharing my broken cunt my feathers my lost girl porn poetics
I said thank you. I am good at this.

Natalie Sierra is an author and poet from Southern California where she attended Mt. San Antonio College. She is the author of two collections of poetry, Nadine: Love Songs for Demented Housewives, and Temblors. Her work has been featured in Her Heart Poetry, Quail Bell Magazine, Ink and Nebula, Fine Print Paper, and The Los Angeles Times. Natalie lives in Pomona, CA with her husband and three children.
 

three poems // ahja fox

matchstick

babe on a mission

BY AHJA FOX

I swallow matchsticks to prevent dumpster fires,
but they just keep on sparking
into next year.
Ma says the moon hides its face.
Men hide their skeletons.
How was I to know a strawman had a viper tongue?
I threw a glass jar full of pennies at his ex, told her
count your blessings ‘cause I’m too pretty to break your bitchface.
I keep my nails done. Glitter on my lashes.
I might rattle a few prison chains.
So what? I’m carving my name
into a New York, New York park bench.
Those jesus girls keep saying Christ loves us all,
and he does. That’s why I bring packs
of cigarettes to spiritual battles.
I know what they really want. Me on a shelf.
That can be arranged.
I have a poetry book coming out next Tuesday.

marginalia

BY AHJA FOX

XXX

canine teeth uprooted and worn on a choker

mom wonders why you can’t wear glitter like
the other girls

murk

Little girl promises to never speak
mommy’s name, cough up

crest colored plastic, yank
the heart out with it onto asphalt

to thaw and slip
around legs of next little girl

whose mommy bow tie
knots her hair on dinner plates

after 5 o’ clock. Sharp is the pencil
mommy puts in her hair

when she wants to see light
tease her black panties, limbs drawn

by hysterical laughter. She turns
her skin in red tipped hands, strums

her ribs Orphic Hymns, pinching
sheets of flesh around fingernails.

She has it bad, this condition:
her head drops to her feet,

her feet snap at the ankles, run
under little girl’s bed,

into little girl’s closet,
wherever little girl can wedge

talks with God
between floorboards.

Ahja Fox is a poet obsessed with bodies/ body parts (specifically the throat). She can be found around Denver reading at various events and open mics or co-hosting at Art of Storytelling. She publishes in online and print journals likeFive:2:One, Driftwood Press, Rhythm & Bones Press, Rigorous, Moonchild Magazine, Anti-Heroine Chic, SWWIM , and more. She has also recently been included in the 2018 Punch Drunk Anthology and YANYR Anthology. A Best of the Net and Pushcart nominee, follow her on Instagram or Twitter at aefoxx.

Photo: Yaoqi LAI

SBGS December

two poems – D.o.t.B.

guillotine

Guillotine

Revolution cut so bloody
chopping heads eyes wide
make that bourgeois die
what beauty to hear children cry
this rage broke your calm lie
you stabbed your neighbor in the eye
kill or be killed
church bell screaming
our holy great blade watches
forevermore

 

Hunger

Teeth gnashing spit splashing
desperation crashing
breaking brittle bones
sucking on stones.

they work hard to remove
the Great Feast from their minds
leave that horror story behind
but it happens again the same time
next year.

The ground too cold frozen
more solid than a shovel
no food left in the hubble
stomach screams no more grumble.

They eye the outsiders
light bright their fires
slash their tires
and make dinner.
try and pray away their inner sinner
the meat is good
the wine salt speckled
no evidence to hide
when it’s wrapped along your inside.

Next year there are no new neighbors
no one on the outside…
so they find babies flesh
tears tastes
softest and sweetest.

SBGS December

D.o.t.B. is a Godde that currently lives in the body of K.V. Dionne. Boulder artist, poet, and photographer, they are one of the founders behind Writer’s Block and are current editor in chief of Writer’s Block zines. You can read some of their work in Spit Poet and can look forward to a collaborative poetry book coming out soon. They have many Hawk friends and Crow songs to share! 

healing projected – ghost #11

mirror 11

Famous romance novelist Nicholas Sparks once wrote,
“The emotion that can break your heart
is sometimes the very one that heals it…”

As cliche as it sounds,

I no longer believe that falling in love is going to save us,
not from ourselves and not from the inevitable storm ahead.
The clouds have been gathering over head for months now,
I chose to act like the sun was always coming back out,

The very idea that the love we share is both destroying me
and keeping me alive is hedonistic at best.
I’m no weather man but it seems to be raining red flags now,

we’ve been dancing in the streets begging for more

I gain unconscious pleasure from the pain of losing you
over and over again to the flood,
being wounded has it’s perks, after all,
I looked much the same when you found me right?

We’re just a shitty love story turned scratched vinyl record,
we can’t stop pulling the plastic back beneath our fingers

to replay the ending,

supposedly well written fantasy either
ends in happily ever after or tragedy,
and this looks more like self fulfilling prophecy.

They never mentioned fairy tales going awry at the
drop of a dime and the distressed left in the dark forest
waiting for the half slain monster,
I…I mean the prince…to swallow her whole.

I’m not convinced this model of love is worth the river running
out from under my bedroom door, worth continuing to write about,
not convinced that there will ever be an emotional payout for chasing someone who makes their living on running away.

The emotion that was made to break my heart is
the inner conflict of selfish and selfless spinning
a whirlpool depression in my chest because no one
will never be able to love you well enough to
save you from your homegrown impending doom complex.

Lead me to where this tornado begins to heal me…

It is difficult to wield my impatience silently,
analyzing the way my body detoxes you out of me
pores and ducts compiling the poisons you left
for examination,
minerals inside to extract so that
I may not forget

mental stamina halted by the crucial processing
healing is cyclical and having anxiety can alter
it’s trajectory a little but this self served circle will be completed

disguising survival as self love for the sake of saving face
while i take a second tour of the stages of grief in no
particular order, reliving my traumas like movie trailers
saved them for a dreary day such as this,

seek therapy as if I still believe someone out there has
the answers, get wasted once in a while and remember
why hopelessness is dangerous,

Can only see it when I’m bruised and
buried under it.

I find myself inspired by my loneliness,
supported only by my poetry,

ugly crying when I wake up in the same bad dream
can’t let the paranoias get the best of me, I am
letting go of what used to be
in one massive energetic release,

my aching body hoarding feelings
because that is how it is used to gaining control,

not this time, I am obsessing over my delusions
trying desperately to make them real, not this time

Naivety can in fact be cured but
using another human to witness your own healing
is a manipulation with no antidote hiding inside,
the results come out incoherent anyway

You have been alive 99 days longer than I have
With that extra time I expect you to be 99 days wiser
than I am, expect you to value your time a little more

But we all work at our own pace
and I’ve seen you pace a lot of circles into the floor
there are probably more in your future

I hope they look so much like break dancing
you throw windmills to settle the score with yourself
hope you find your answers in the flow

and start asking harder questions

The things you love the most in
the world can still be hard work,
in fact maybe they should be

Someday we will both get better at
paving our own way so that the labor
feels more like playing with your best friend

Until then we keep pulling each other’s hair out
strand by strand and catching fingers in every slammed door
this love is not the safety net that we planned for

I lose my balance every other step now

We have been crawling in and out of each other for
250 days without truly ceasing, what a polluted
cesspool of love we created to keep feeding each other our lies.

Are you still hungry? I could have just one more bite.
Spoon feed me all the reasons the wounds are still open.
Give it to me straight, what is the diagnosis?

Will the PTSD control the remainder of me
that you have not claimed as marionette parts?

We have not been on the same page since you
started skipping ahead to see whats next,
and ripping out chapters at random.

What would a romance novelist do to
heal them self from the inevitable?

Are we really just waiting around
for the dawn of the next cycle,
the point where the familiar emotion
fills us up with enough smoke and
to send out another beacon of hope?

SBGS December

photo: Noah Buscher