Swing Set | Sophie Gullett

Image: Autumn Bradley

Swing Set

I. Yellow

Ten little fingers clutch like honey in my hair and pull at freckles
golden as the mustard seeds that loiter in the brine
she pours into her cup. Each little burst her lips pucker
like a slit accepting a pearly button.

A slash of sun on the sidewalk
baking the dandelion chalk outline and hollowed out footprints
where I had held my feet still
carving a name, a year.
Under her nails the same neon color
the same sweetly acidic smell.

On my neck her breath is sticky, heavy with vinegar
and sugar and spit. The crease of her jeans, grass dyed and gaping
reveal knees prickled with little ghost pins
that someone will have to teach her how to shave.

Smaller but the same shape, her hands wrap around chains
with a yolky rubber coat. Her Barbie sneakers
tied with two fraying bunny ears
pump up dirt at her back and she moves
back and forth.

I cannot care for her.

II. Green

Salty whisps rest on her temple, turning dark as she floats.
She is whiter and cooler in places she presses
otherwise blushing red bubbling.
Lids flip up, marshmallow green
swimming through frog eye salad.
She whines that the water is too hot for her
and someone will need to adjust the tap.

There is not enough space for both of us.
Sideways brings a surge, her hand at my face
pushing my eyelids down and in.
Her hands catch on mine like her Pikachu kite
trembling between tree branches. Winter at our necks
she pulls, snagging leaves, hair.

At our feet, the drain is shrinking green brown silver.
Her toes dipped blue
pale as she pushes, pink as she curls back.
A gurgling suck, then swaying silence.
She untangles, flatter but not by much
leaving fuzzy outlines on the fraying mat.
Pages nest facedown
peppered with sweating hollows like her neck’s center.
She wants me to read it to her
as if we don’t both know it by heart.
Without the blanket of steam legs are static,
arms slick and bumpy. Bone cradles bone
both grow colder in the damp quiet.

I cannot care for her.

III. Red

On her lap, a shiny overgrown beetle
balanced between chin and thigh, wobbling as her ankle rotates.
Our feet crisscrossed red and pale
cracked open lobsters in the grass, glistening with butter.

A sidewalk sloping upward boasts spray paint stickers
words she knows but doesn’t yet dare to say,
but will need to be told to stop saying.
A lowercase z, her body hunkers over the wall
cement oozing between brick, dirt oozing between toes.

We squint, searching for the rusty crawdads
clawed into a kelpy ponytail like her hands
weaving my own into river currents.
Like a hawk above a burrow
she sights glistening red and follows,
helmet at her hip.

She runs along the ditch, growing smaller.
Someone will measure her height
in gentle pencil marks on a closet door.
Her hair is long, before she took her scissors to it
and sprinkled it over the red stone patio for nests,
feeling like Laura Ingalls. I bury my face in the grass
sharp against my nose and eyes.

I will not care for her.

Sophie Gullett (she/they) currently lives in Denver, CO where she works as an educational researcher and amateur sewist. She has previously been published in The Broken City, The Raw Art Review, and Colorado’s Best Emerging Poets.

brisk | Lou Smith

Image: Rick Meyers

brisk

two white cranes with pencil-thin necks, flap their gracious wings against blue

mist rises from the creek as though it is scalding

brisk, is how you would describe this cold, cold morning where breath fogs in front of us like small puffs of smoke from early morning cigarettes

the creek is gentle today, as though there are more important things to do than rush

ducks sleep in the rushes, their heads buried so deep in feathers it’s as if they have no heads at all

Lou Smith is a poet based in Naarm/Melbourne in so-called Australia. Her poetry has appeared in journals and anthologies including Rabbit, Blue Bottle, Wasafiri, sx Salon, Moko, soft surface and Kunapipi. Lou is the author of the poetry collection riversalt (Flying Island Books). She has a PhD in Creative Writing from the University of Melbourne. 

www.lousmith.net
Instagram: @geniiloci

Little Ginger | Roger Patulny

Image: Don Hassan

Little Ginger

Four new kittens
periscope heads
from the old gym bag pile
molding in my cupboard awhile

I disentangle blind and slimy mice-sized
pouches, bags of skin with
wet ears flattened back on scalps
their mother mews confused
desperate to return them
to the dark and cozy canvass den

Three are destined to find homes
but the little ginger is a Viking
who weeks old turns to fighting
clawing at the built-in mirrors
stalking up the avocado tree
a ruler and a hunter
preying past the front door
till I find him one day by the roadside
stilled but dignified

the neighbor’s children
ignorant of Viking custom
dig a backyard grave
say little prayers, teary, terse
for a cross of sticks in bone dry earth

Inspired by: “Dead cat poem,” by Ann Alexander

Roger Patulny is a Sydney based academic specialising in sociological research on emotions and loneliness. He is a published creative writer and poet, and is the Chief Editor for Authora Australis. He has published fiction and poetry in numerous outlets including The Suburban ReviewCorditePoets Corner InDailyDwell TimeThe Rye Whisky Review, the Mark Literary Review, and Silver Birch Press. Twitter – @rpatulny

Excerpts and links to Roger’s published creative works can be found here.

[ <3 ] MOUNTAIN SSS777 | Maura M. Modeya

Image: Carles Rabada

[ <3 ] MOUNTAIN SSS777

My hand is stable, as is the light
Pry my fingers when clouds
———-7 ——–consume your face!
& my devotion unspoilt as clear
GlaSs, gutted against your palm
Pets slow

On the kitchen island you
——— suck my terror out
——— suck my burden
&——- feed me to the wall

Spinning in this moment when you’re
really gripping, ———– jagged wind
outside. Blue Steller’s Jay flits
——————-7 ——-windowside
[my] knuckles inside you. [!]

Will you risk what you want
to give me? —– Will you be so
——————- dangerously generous?

From a hard ringing you find my disbelief
thick as blood. It flows as a current
I cannot move against.

I trace you with ice
throw the cube to the floor.

And more, we travel up lightly, crest into
Top-pond idyllic, ——–breathleSsly
A feverish container: stints
between delirium, ——-all our desires.

A few small rocks, placed
—————————–on a knee.

[Remember the way we slept folded & beaming
& tethered, then woke to show you my
eyelashes] ——7 ——–There are few things
I say I must see through, ——– to act the horse
throw myself.

How to get to the bottom of it: never
What survives a whirlwind: your world / maybe mine

[!]

Maura M. Modeya is a poet, performer, and professor from Bemidji, MN. She’s the author of Only Interested in Everything, a poetry chapbook published by Meekling Press. Before heading west, she lived in Chicago where she focused on live performance, as well as producing oddity and storytelling shows. Their work interests include delirium, sapphic ritual, eco-dykedom, the poetics of disruption, and public visual disruption through wheat pasting, stickering, spray painting, with other DIY modes. Beyond the page, she has curated poetry wheat paste installations of her own work as well as community poetic collaborations as an act of street publication. They hold an MFA in writing and poetics from Naropa University in Boulder, CO where they currently teach.

Find her on insta @down2theponywire or at her monthly queer poetry open mics typically held at Town Hall Collaborative.

Candy Kiss Breeze // Nicole Taylor

Image: Steph Q

Candy Kiss Breeze

BY NICOLE TAYLOR



—————–stars swim with time

——-attend tennis golf frisbee

————————- —— lawn warmth and books

I he learn
——- serenity enjoy
driving for —————— trees roses


——————— ———-  be
———————————– – — able

hammock stay read – – – – – – – – – – – – — —flowers
—————————————–comfortable
——————————– candy
—————————————–kiss
————————————————–breeze

Nicole Taylor lives in Eugene, Oregon. She has been an artist, a hiker, a poetry note taker, a sketcher, a volunteer and a dancer, formerly in DanceAbility in Salem, Oregon. Her poems have appeared in Boneshaker: A Bicycling Almanac, Camel Saloon; Cirque Journal; Clackamas, Literary Review; Graffiti 1; Just Another Art Movement Journal – New Zealand, West Wind Review among others. You can read and hear more of her poetry at oregonpoeticvoices.poet/312/, a collection of Oregon poets with written and audio poetry available online through Lewis & Clark College in Portland, Oregon.

Ricochet | Suzanne S. Rancourt

Image: Cole Keister

Ricochet

a flock of chickadees, finches, or sparrows
descend from tree tops – a gradual Sneak Up
eyeing the 5 pounds of chia seeds i flung under the maple and basswood
wings a flutter in broken cadence the sound strewn
in a piffpiffpiff 12 gauge birdshot patter
a scattering through leafed shadows, landing as nothingness
these bird feet leave no prints – their weightless possibilities
love glancing off your cheek, or the obscure ricochet touch
spirit seeds leave pockmarks on soul constellations
imploded by lost dreams, speculations, expectations, the miraculous
surprise that followed success, friendship, profound beauty
the job we never thought qualified for or happiness undeserved
like that day we shared a plate of platanos maduros
the first time they came out right and true, you graciously forgot
how many bad batches you ate while i perfected the oil temp,
thickness of slice, the meticulous handling and smelling of the plantain
at the grocery store, selecting just the right ones
you teaching that the one with the most bruises
bears the greatest sweetness

Suzanne S. Rancourt, Abenaki/Huron, Quebecois, Scottish descent, has authored Billboard in the Clouds, NU Press, (Native Writers’ Circle of the Americas First Book Award,) murmurs at the gate, Unsolicited Press, 2019, Old Stones, New Roads, Main Street Rag Publishing, 2021. Songs of Archilochus, Unsolicited Press, forthcoming October 2023. A USMC and Army Veteran, Suzanne is also a 2x Best of the Net nominee. www.expressive-arts.com

Twitter: @FlameSuzy

Gone, Already | Leah Mueller

Image: Lars Dunker

Gone, Already

Vegetable matter,
dried skin on kitchen floor.

Scorpion season: thorax-shaped
tomato stems fool me into terror.

Dog presses against
barbed wire links,
with nowhere to go
but the same ten feet of earth.

One hundred degrees
for the rest of the month.

Ashes on shelf,
spirit in atmosphere,
long past the point

of concern. You have
flown north again,
towards cooler weather.

Sometimes your eyes
stare like the dog’s,
but I know it’s just me
trying not to forget.

Leah Mueller lives in Bisbee, Arizona. She is the author of ten prose and poetry books. Her new book, “The Destruction of Angels” (Anxiety Press) was published in October 2022. Leah’s work appears in Rattle, NonBinary Review, Citron Review, The Spectacle, Miracle Monocle, New Flash Fiction Review, Atticus Review, Your Impossible Voice, etc. She is a 2023 nominee for both Pushcart and Best of the Net. Her flash piece, “Land of Eternal Thirst” appears in the 2022 edition of Best Small Fictions. Website: www.leahmueller.org.

For a Boy Answering the Name of Our Home as the Replica of His Pain. | Mubarak Said

Image: June O

For a Boy Answering the Name of Our Home as the Replica of His Pain.

i called this home / a seed that is birthed where ants fly and dance / i painted my eye with a mirror / to see the fuel of this hell / and any child in my home / became the portrait of an unknown water / you whispered / and cried into my ears. / but, i know this story / is another beast. / colours shine again / with the cries of the sun / and another day is buried / in the womb of every night. i wasn’t born to stay / with my feet / dancing on this ember / in this boring home / where my name is eaten/ by the name of death. / do you think a squirrel can die / when a farmer sing a bird? what my soul sees / doesn’t exist in this world / and dosn’t even have a name to be called / or a face and the theory of drought. / i came to this home / with the autumn breeze / & wind of deserts / that tastes sweetly bitter with lies / blood / tears / and any thing i shall call pain. / i entered this home / wearing a pale cloud / and rain on the soil that runs away / from the touch of my skin.

Mubarak Said TPC XII is the 3rd runner-up of the poetry category of the 2022 Bill Ward Prize for Emerging Writers. His works are forthcoming and published in many literary magazines national and international as imspired magazine, World Voices Magazine, Icefloe Press, Literary Yard, Beatnik Cowboy, Piker Press Magazine, Teen Literary Journal, ILA magazine, Icreatives review, The Yellow House Magazine,  Pine Cone Review, Synchronized Chaos, Susa Africa, Madswirl Magazine, Applied Worldwide, Opinion Nigeria, Today Post, Daily Trust, Daily Companion and elsewhere.

Again, The Blue Moon | Anne Iverson

Image: Haylee Booth

again, the blue moon

If you need to move past the past
and have it absent in the present

then ride on the big blue bulge
of the blue moon

wafting cross
the great lake of sky

find absolution in stars
hand pick them

peel back their skin
taste of heaven’s fruit.

Anne Iverson is a writer and artist.  She is the author of  five poetry collections: Come Now to the Window by the Laurel Poetry Collective, Definite Space and Art Lessons by Holy Cow! Press; Mouth of Summer and No Feeling is Final by Kelsay Books. She is a graduate of both the MALS and the MFA programs at Hamline University. Her poems have appeared in a wide variety of journals and venues including six features on Writer’s Almanac.  Her poem “Plenitude” was set to a choral arrangement by composer Kurt Knecht. She is also the author and illustrator of two children’s books.  As a visual artist, she enjoys the integrated relationship between the visual image and the written image.  Her art work has been featured in several art exhibits as well as in a permanent installation at the University of Minnesota Amplatz Children’s Hospital.  She is currently working on her sixth collection of poetry, a book of children’s verse, and a collection of personal essays.

The Fertile Tree | Diana Kurniawan

Image: Joshua Cotten

The Fertile Tree

On barren land at the corner

—————————
of a long constant highway 

The Good Samaritan guards 

————————-a tree of sparse green leaves

A most desired nesting point 

————————— for the American finch across

this homeland of Colorado

– ————————–A mother of homeless avian

The unmarried tree stands tall

————- – — – —–despite the dry gritty street

Finches flock to this virgin mother

————————- the kindling of all avian children

As the single woman without

———————– – –true love nor a loving partner

The tree reminds of the strength

————————- of women with dignified values

Preserving those around her life

—————- – – – —-with a fecund heart and soulful tears

Valor of hopeful spirit undefeated 

———- ——— —– Spiritual Mother of all children forever

Diana Kurniawan is a poet and writer based in Berthoud, Colorado. With by lines from Denver Life Magazine and Longmont Times Call for non-fiction journalistic pieces, she also previously served as Community Journalist for Denver Voice, a newspaper for the homeless. Recent publications include Twenty Bellows and Sortes Magazine for fiction and Ridgeline Review of Eastern New Mexico University and RawLit for her poetry in Spring 2023.