Rotting Eaves | Michael T. Young

Image: Del Barrett
Across the park, an old clock tower
surrendered itself to moss and vines. 
Tendrils coil along the clock hands, 
twine the gears and down the shafts. 

Finches knit knobby twigs, grass, and leaves,
nesting in vents and through the hollows 
where the eaves have rotted, remaking 
what we leave behind into the life that follows.

Michael T. Young’s third full-length collection, The Infinite Doctrine of Water, was longlisted for the Julie Suk Award. He received a Fellowship from the New Jersey State Council on the Arts. His chapbook, Living in the Counterpoint, received the Jean Pedrick Chapbook Award. His poetry has been featured on Verse Daily and The Writer’s Almanac. It has also appeared in numerous journals including Cimarron Review, Gargoyle Magazine, One, Rattle, and Valparaiso Poetry Review. Facebook. Twitter

Shoshanah // Sarah LaRue

Image: Max Kleinman

Shoshanah

BY SARAH LARUE
My grandmother is the ocean now
                                       roaring always somewhere
                                                     even when quiet here and now
             her smooth surface breaks into waves

She resists and yields at once
                             in magnitudinal power tides
                                           pulled heavy from the moon
               in consort with the sun and
                             of service to the earth

I know her without seeing her
                            hear legends of her raging depth
              feeling her live in each coastal drop

She swells around my ankles
                             to let me feel my roots
                                          when instinct crashes over me
It is her—urging moments into eternity

Sarah LaRue (she/her) is a health advocate, activist, and poet who loves sunshine, storms, and quiet nights. She is a queer Jewish reiki-practicing witch, and poetry is how she understands and misunderstands Life . Sarah has been published in Stain’d Arts and South Broadway Ghost Society publications, and her work has been featured by the Helen Riaboff Whiteley Center. Her two self-published books, I’ll just hide until it’s perfect and Tend, are available now by contacting sarahdlarue@gmail.com.

After the rain | Sarah Russell

Art: “After a Rain” by Arkhip Kuindzhi 1879
clouds still roil, dark as wraiths 
who invade my sleep.  A shaft 
of light pierces their folds, brightens 

the field where cattle graze 
as though the storm never bruised, 
as though they never bawled, eyes flashed

with lightning.  They have forgotten, lower 
their heads for grass made sweet again,
while I still feel the drench, remember
 
how thunder crippled me with dread, 
how I flattened my soul against the earth 
to escape notice by the gods.

Sarah Russell’s poetry and fiction have been published in Kentucky Review, Misfit Magazine, Rusty Truck, Third Wednesday, and many other journals and anthologies. She is a Pushcart Prize nominee. She has two poetry collections published by Kelsay Books, I lost summer somewhere and Today and Other Seasons. She blogs at SarahRussellPoetry.net.

The Uncertainty of Our Futures | Caleb Ferganchick

Image: United States Geographical Survey

sweltering hour
beads of sweat lick
my sunburnt nape
paddle and soap dish in hand
off some nameless bank
I slip into the Colorado

the Grand
the Rio del Tizon 
the Maricopa 
the cool lifeforce 
of this southwest desert 
as easily as I do 
into freshly washed sheets 

naked 
embraced
sweet surrender 

(I’m still working
on surrender) 

the Colorado, he/they and I
have rinsed ourselves 
our bedrocks 
of many a lover 
many a male admirer 
like John Wesley Powell
like the first time
I skinny-dipped kissed
the first boy 
I thought I loved

I don’t find it outlandish
to suggest the Rio del Tizon
branded flaming by colonizers 
is a he/they gay 

reject the stubborn American West
its invasive cis-het
white male explorers 
naming monoliths [ego]
bodies of water [conquests]
assaulting the feminine [recreation]

if the Maricopa
is to be called she
let it be by reflection
by her own accord
as he/they is with me
on this board
cutting through this spectrum
an exercise and practice
of self-love at once 

we try and keep things caszh
this river and I
too thin to plow
too thick to drink *
if you know what I mean 

we both know
this flight of fancy is seasonal 
an afternoon delight 
a summer fling
sure to wash out 

around this bend 
I look for coupling trout
whose rippled darts 
fleeing my invasion of their coitus 
promise the end 
of my own courtship 

I have always struggled 
with commitment 
even when I cannot tell us apart 
submerged in him/them completely 
there is peace I won’t grant myself 

as surely as my head
will break the surface 
I will eddy out 
return home to routine
to khakis and button-ups 
to commutes and spreadsheets
and plastic promotions  

he/they/I/we will be 
just another commodity 
to bottle
given back empty 
at a cost
as potential 
for tourist development 
as a force that’s agreeable 
when diverted 
and funneled, reshaped
into productive 
efficient pools of labor

into anything 
that’s not wild 
and free and roaring 
to California 
to an ocean of love 
that doesn’t know the meaning 
of binaries and borders 

the nature of our familiarity 
our temporal sojourn
privy only to that 
voyeuristic heron
our downy stilt-
legged fortune 
is not about the permanence
of our gender but

the uncertainty of our futures

* commonly attributed to Mark Twain (to “the Mormons” by Edward Abbey) but unconfirmed by this author 



Caleb Ferganchick is a rural queer, slam poet activist, and author of Poetry Heels (2018). His work has been featured and published by the South Broadway Ghost Society (2020), Slam Ur Ex ((the podcast)) (2020), and the Colorado Mesa University Literary Review. He organizes the annual Slamming Bricks poetry slam competition in honor of the 1969 Stonewall Riots and coaches high school speech and debate. An aspiring professional SUP surfer, he also dreams of establishing a queer commune with a river otter rescue and falconry. He lives in Grand Junction, Colorado.
Website | Instagram | Twitter

Yesterday’s Return | Melody Wang

Image: Kenrick Mills
Languid clouds drift by in a fever dream's haze, unmoved 
by imminent trouble brewing overhead, anxiety
casting shadows on our pale, upturned faces
 
Below, cardamom pods             three lone messengers
release fragrant whispers of a bygone era
when innocence abounded, unquestioned. I awoke
 
from a foggy dream crudely imitating memory,
unwelcome specters from my past infiltrating
fortresses erected to withstand any disturbance
 
This damp unease seems to permeate my being 
at odd intervals, too often coinciding with this 
foreboding I have inadequately prepared for

Melody Wang (she/her) currently resides in sunny Southern California with her dear husband. In her free time, she dabbles in piano composition and enjoys hiking, baking, and playing with her dogs.

Editorial Notes | Emma Ginader

Image: Joanna Kosinska
It doesn’t take too much 
to forget: 

Leave the Bramble Cay Melomys 
out of the next dictionary. 

Those rats are already dead,
homes wiped out by rising tides. 
Not many know their name,

same as the Kittlitz’s Murrelet. 
No kid dreams of seeing 
the Murrelet’s mottled body blending 
into the sea spotted with sunlight. 

It’s safe to delete
them too. 

If the name’s not
in textbooks, postcards, or magazines, 
no one will know to search. 

Move the erasures 
more and more inland,
low tide dragging away
wolf spiders and honeycreepers, 
Sierra Nevada Blues and golden toads. 

Readers won’t learn
how far the damage’s gone—
just keep erasing. 

Afterall, people forgot
they once could be singular.
Victorians hid that 
under grammatical change 

so keep erasing
until nothing remains but
a white sea. 


Emma Ginader is a bisexual poet and editor from northeastern Pennsylvania. She recently graduated from Columbia University with an MFA in writing. Her poetry has appeared in The Moth Magazine, Vox Viola, december, The Rational Creature, and FU Review [Berlin]. She has work forthcoming in Mantis, Lavender Review, great weather for MEDIA, and They Call Us. Ginader previously worked as the online poetry editor for the Columbia Journal and as the social media editor & business reporter for The Daily Item newspaper in central Pennsylvania. Find her Twitter account, @EmmaGinader.

Pretzels | Danny Mazur

image: jose aljovin

Every night before bed
I would wander into my Dad’s kingdom
Laying on his king-sized bed
With a book and pretzels scattered across his hairy chest
His trusted steeds (10 lb. twin toy poodles)
Intently waited for treats
A low static from AM talk radio filled the room
He removed suit and tie
Donning blue converse shorts, no shirt

I remember the way his toes would wiggle
How he would tell me what he was reading about
How crumbs would fall from his lips
As he laughed at his own jokes

My mind was much quieter then
No concerns of burning forests or abused children
I wasn’t stressed
By the weight of earning paychecks and paying off loans
I didn’t find myself overwhelmed
How my dreams often feel like the Amazon River
7 miles wide
And I’m on the bank
I can’t swim and my boat is on the other side

On good days,
I’ll remember the world isn’t about me
That dreams come and go
That I live with my best friend
In some sort of Earth fort
That I get to walk to work
And spend my days with kids

And when the night comes
I lay in my bed and give thanks to tired legs
I open a comic book and my toes begin to wiggle
It’s in these moments
I find my hairy chest full of pretzels


Danny Mazur’s fascination with the human experience led him to founding Soul Stories, an organization that facilitates conversations for personal healing and social change. Over the past six years, Danny has produced and facilitated over 100 Soul Stories events in the Denver community, ranging from community dialogs to live performances. Danny collaborates with members of the Denver community to create events that unpack challenging topics such as consent, personal identity, relationships, race, and even the political divide of 2020. Soul Stories events are unique spaces where people go to practice authenticity and find connection. 

This poem is from the Thought For Food anthology,
a poetry collection benefiting Denver Food Rescue.
You can purchase a copy of the book here.

Thought For Food Promotional 1

Ripe Apples – Jessica Rigney

Photo: Oxa Roxa

You make of me a magician—
a laborer supplicant and servant
as I bring the corners of the cloth

together and know you see—
know of your marveling at my hands and
how they come together. It is I

who fashions a new heart each morning
awake to ripe apples which appear
inside the curve of my arm as though

I’d gathered them in my sleep.
Reveries write themselves upon the day
I say. Prefiguring every kindness falling

at my feet. By night they are siphon
for the sorrow tonguing my boots.
You make of me a witness—

stalwart bearer of deprivations
of sleep as I peel carrots at midnight
and know your eyes follow the line

of my shoulder to elbow to wrist and
how they work together still. It is you
who with your arms unloosening

‘round the waste of me lost beyond
these endless unnamed days—you
who magics the seasons back from before

the stay.
Name not I, but the it which is this.
I say.


Jessica Rigney is a poet, artist, and filmmaker. She is poetjess on Instagram.

This poem is from the Thought For Food anthology,
a poetry collection benefiting Denver Food Rescue.
You can purchase a copy of the book here.

Thought For Food Promotional 1

Three Poems // Kevin Rabas

DEB2
Image: Nad X

[Dying Favor]

BY KEVIN RABAS

I ask you
..to take this cup
from me. I don’t want
..to die alone
in a white room
..some Monday,
my lungs
..full, but
without
..a breath left.

[TV]

BY KEVIN RABAS

…….I.
…….You can stop the TV,
…….get off your phone, and write.
…….It may hurt
…….to think, but you can.

…….II.
…….If you don’t write
……….or make songs
…….or paint, you have
……….to go and live in some
…….other person’s dream.

[unintended birthday gift]

BY KEVIN RABAS

The neighbors have it,
the pastor and his 6 kids,
held a bday party
the night before
the lockdown started,
and now they’ve got it,
every single one.

Rabas Author Photo

Past Poet Laureate of Kansas (2017-2019) Kevin Rabas teaches at Emporia State University, where he leads the poetry and playwriting tracks and chairs the Department of English, Modern Languages, and Journalism. He has thirteen books, including Lisa’s Flying Electric Piano, a Kansas Notable Book and Nelson Poetry Book Award winner. He is the recipient of the Emporia State President’s and Liberal Arts & Sciences Awards for Research and Creativity, and he is the winner of the Langston Hughes Award for Poetry.

popping knuckles doesn’t mean anything is wrong with you – Zach Marcum

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Photo: Louis Hansel

have been stealing roommate’s Babybel mini cheese-wheels one by one over the past few weeks.

saw person swooshing metal detector back and forth in the park.

he must’ve thought, “ooh, nice day. I should swoosh my metal detector back and forth in the park.”

felt clear, uninhibited sun on my face for first time in months

thought of texting “I love you” to everyone in my phone.

last week fell in desperate love with girl on Instagram

dmed her “I’m in love w/ you,” around 1:46am.

the bag of Babybel mini cheese-wheels is getting concernedly low.

have been trying to take 3 slow breaths in my car before and after driving.

learned that caterpillar dematerializes in its cocoon, unmakes itself into cells.

squeezed an avocado that made my knuckle pop.

thought of the sometimes troubling intimate relationship I’m in as a non-failure.

popping knuckles is really just nitrogen releasing and doesn’t mean anything is wrong with you.

non-failure because it exists at all.

yesterday saw a car turn onto a one way street in the wrong direction, then quickly reverse back to the junction.

walked home from the park imagining I drove in the near lane when the car turned the wrong way and we hit head on, smashing my teeth into my throat.

closed my eyes and shook my head softly.

tried to explain to two 21 year olds the feeling of your late 20s. the sensation of slipping.

stumbled on the words, self corrected, didn’t say much of anything.

girl on Instagram has not responded to my message.

a person sits behind me in class and watches episodes of hell’s kitchen on his phone with the volume off.


IMG_0617

Zach Marcum is the 2000 dunk contest but in human form.