Across the park, an old clock tower
surrendered itself to moss and vines.
Tendrils coil along the clock hands,
twine the gears and down the shafts.
Finches knit knobby twigs, grass, and leaves,
nesting in vents and through the hollows
where the eaves have rotted, remaking
what we leave behind into the life that follows.
Michael T. Young’s third full-length collection, The Infinite Doctrine of Water, was longlisted for the Julie Suk Award. He received a Fellowship from the New Jersey State Council on the Arts. His chapbook, Living in the Counterpoint, received the Jean Pedrick Chapbook Award. His poetry has been featured on Verse Daily and The Writer’s Almanac. It has also appeared in numerous journals including Cimarron Review, Gargoyle Magazine, One, Rattle, and Valparaiso Poetry Review. Facebook. Twitter
My grandmother is the ocean now
roaring always somewhere
even when quiet here and now
her smooth surface breaks into waves
She resists and yields at once
in magnitudinal power tides
pulled heavy from the moon
in consort with the sun and
of service to the earth
I know her without seeing her
hear legends of her raging depth
feeling her live in each coastal drop
She swells around my ankles
to let me feel my roots
when instinct crashes over me
It is her—urging moments into eternity
SarahLaRue (she/her) is a health advocate, activist, and poet who loves sunshine, storms, and quiet nights. She is a queer Jewish reiki-practicing witch, and poetry is how she understands and misunderstands Life . Sarah has been published in Stain’d Arts and South Broadway Ghost Society publications, and her work has been featured by the Helen Riaboff Whiteley Center. Her two self-published books, I’ll just hide until it’s perfect and Tend, are available now by contacting sarahdlarue@gmail.com.
clouds still roil, dark as wraiths
who invade my sleep. A shaft
of light pierces their folds, brightens
the field where cattle graze
as though the storm never bruised,
as though they never bawled, eyes flashed
with lightning. They have forgotten, lower
their heads for grass made sweet again,
while I still feel the drench, remember
how thunder crippled me with dread,
how I flattened my soul against the earth
to escape notice by the gods.
Sarah Russell’s poetry and fiction have been published in Kentucky Review, Misfit Magazine, Rusty Truck, Third Wednesday, and many other journals and anthologies. She is a Pushcart Prize nominee. She has two poetry collections published by Kelsay Books, I lost summer somewhere and Today and Other Seasons. She blogs at SarahRussellPoetry.net.
sweltering hour
beads of sweat lick
my sunburnt nape
paddle and soap dish in hand
off some nameless bank
I slip into the Colorado
the Grand
the Rio del Tizon
the Maricopa
the cool lifeforce
of this southwest desert
as easily as I do
into freshly washed sheets
naked
embraced
sweet surrender
(I’m still working
on surrender)
the Colorado, he/they and I
have rinsed ourselves
our bedrocks
of many a lover
many a male admirer
like John Wesley Powell
like the first time
I skinny-dipped kissed
the first boy
I thought I loved
I don’t find it outlandish
to suggest the Rio del Tizon
branded flaming by colonizers
is a he/they gay
reject the stubborn American West
its invasive cis-het
white male explorers
naming monoliths [ego]
bodies of water [conquests]
assaulting the feminine [recreation]
if the Maricopa
is to be called she
let it be by reflection
by her own accord
as he/they is with me
on this board
cutting through this spectrum
an exercise and practice
of self-love at once
we try and keep things caszh
this river and I
too thin to plow
too thick to drink *
if you know what I mean
we both know
this flight of fancy is seasonal
an afternoon delight
a summer fling
sure to wash out
around this bend
I look for coupling trout
whose rippled darts
fleeing my invasion of their coitus
promise the end
of my own courtship
I have always struggled
with commitment
even when I cannot tell us apart
submerged in him/them completely
there is peace I won’t grant myself
as surely as my head
will break the surface
I will eddy out
return home to routine
to khakis and button-ups
to commutes and spreadsheets
and plastic promotions
he/they/I/we will be
just another commodity
to bottle
given back empty
at a cost
as potential
for tourist development
as a force that’s agreeable
when diverted
and funneled, reshaped
into productive
efficient pools of labor
into anything
that’s not wild
and free and roaring
to California
to an ocean of love
that doesn’t know the meaning
of binaries and borders
the nature of our familiarity
our temporal sojourn
privy only to that
voyeuristic heron
our downy stilt-
legged fortune
is not about the permanence
of our gender but
the uncertainty of our futures
* commonly attributed to Mark Twain (to “the Mormons” by Edward Abbey) but unconfirmed by this author
Caleb Ferganchick is a rural queer, slam poet activist, and author of Poetry Heels (2018). His work has been featured and published by the South Broadway Ghost Society (2020), Slam Ur Ex ((the podcast)) (2020), and the Colorado Mesa University Literary Review. He organizes the annual Slamming Bricks poetry slam competition in honor of the 1969 Stonewall Riots and coaches high school speech and debate. An aspiring professional SUP surfer, he also dreams of establishing a queer commune with a river otter rescue and falconry. He lives in Grand Junction, Colorado. Website | Instagram | Twitter
Languid clouds drift by in a fever dream's haze, unmoved
by imminent trouble brewing overhead, anxiety
casting shadows on our pale, upturned faces
Below, cardamom pods three lone messengers
release fragrant whispers of a bygone era
when innocence abounded, unquestioned. I awoke
from a foggy dream crudely imitating memory,
unwelcome specters from my past infiltrating
fortresses erected to withstand any disturbance
This damp unease seems to permeate my being
at odd intervals, too often coinciding with this
foreboding I have inadequately prepared for
Melody Wang (she/her) currently resides in sunny Southern California with her dear husband. In her free time, she dabbles in piano composition and enjoys hiking, baking, and playing with her dogs.
It doesn’t take too much
to forget:
Leave the Bramble Cay Melomys
out of the next dictionary.
Those rats are already dead,
homes wiped out by rising tides.
Not many know their name,
same as the Kittlitz’s Murrelet.
No kid dreams of seeing
the Murrelet’s mottled body blending
into the sea spotted with sunlight.
It’s safe to delete
them too.
If the name’s not
in textbooks, postcards, or magazines,
no one will know to search.
Move the erasures
more and more inland,
low tide dragging away
wolf spiders and honeycreepers,
Sierra Nevada Blues and golden toads.
Readers won’t learn
how far the damage’s gone—
just keep erasing.
Afterall, people forgot
they once could be singular.
Victorians hid that
under grammatical change
so keep erasing
until nothing remains but
a white sea.
Emma Ginader is a bisexual poet and editor from northeastern Pennsylvania. She recently graduated from Columbia University with an MFA in writing. Her poetry has appeared in The Moth Magazine, Vox Viola, december, The Rational Creature, and FU Review [Berlin]. She has work forthcoming in Mantis, Lavender Review, great weather for MEDIA, and They Call Us. Ginader previously worked as the online poetry editor for the Columbia Journal and as the social media editor & business reporter for The Daily Item newspaper in central Pennsylvania. Find her Twitter account, @EmmaGinader.
Every night before bed I would wander into my Dad’s kingdom Laying on his king-sized bed With a book and pretzels scattered across his hairy chest His trusted steeds (10 lb. twin toy poodles) Intently waited for treats A low static from AM talk radio filled the room He removed suit and tie Donning blue converse shorts, no shirt
I remember the way his toes would wiggle How he would tell me what he was reading about How crumbs would fall from his lips As he laughed at his own jokes
My mind was much quieter then No concerns of burning forests or abused children I wasn’t stressed By the weight of earning paychecks and paying off loans I didn’t find myself overwhelmed How my dreams often feel like the Amazon River 7 miles wide And I’m on the bank I can’t swim and my boat is on the other side
On good days, I’ll remember the world isn’t about me That dreams come and go That I live with my best friend In some sort of Earth fort That I get to walk to work And spend my days with kids
And when the night comes I lay in my bed and give thanks to tired legs I open a comic book and my toes begin to wiggle It’s in these moments I find my hairy chest full of pretzels
Danny Mazur’s fascination with the human experience led him to founding Soul Stories, an organization that facilitates conversations for personal healing and social change. Over the past six years, Danny has produced and facilitated over 100 Soul Stories events in the Denver community, ranging from community dialogs to live performances. Danny collaborates with members of the Denver community to create events that unpack challenging topics such as consent, personal identity, relationships, race, and even the political divide of 2020. Soul Stories events are unique spaces where people go to practice authenticity and find connection.
This poem is from the Thought For Food anthology, a poetry collection benefiting Denver Food Rescue. You can purchase a copy of the book here.
I ask you ..to take this cup from me. I don’t want ..to die alone in a white room ..some Monday, my lungs ..full, but without ..a breath left.
[TV]
BY KEVIN RABAS
…….I. …….You can stop the TV, …….get off your phone, and write. …….It may hurt …….to think, but you can.
…….II. …….If you don’t write ……….or make songs …….or paint, you have ……….to go and live in some …….other person’s dream.
[unintended birthday gift]
BY KEVIN RABAS
The neighbors have it, the pastor and his 6 kids, held a bday party the night before the lockdown started, and now they’ve got it, every single one.
Past Poet Laureate of Kansas (2017-2019) Kevin Rabas teaches at Emporia State University, where he leads the poetry and playwriting tracks and chairs the Department of English, Modern Languages, and Journalism. He has thirteen books, including Lisa’s Flying Electric Piano, a Kansas Notable Book and Nelson Poetry Book Award winner. He is the recipient of the Emporia State President’s and Liberal Arts & Sciences Awards for Research and Creativity, and he is the winner of the Langston Hughes Award for Poetry.