three poems – eric ranaan fischman

erase

Shelter

When I was a boy I learned
not to cry. I don’t know how.
I needed a wall, so I built one.
It was easy. Later I learned
that you can’t tell everyone
who you are. There are shapes
to fit in public places. Two walls
with a door. They told me
I shouldn’t sound so smart
if I wanted to make friends. You
have to drink, you have to have
fun. Four walls with a roof.

When I went out, I left myself
inside. I wore whatever costume
was expected of me. It was easy.
I learned to hide my anxiety, to
play parts. Bolts on the windows,
the shades drawn. What was
crying like again? I am a social
butterfly. I am a chameleon.
You will never see me bleed.
You will never feel the bruises
in my ribs. You will never even
make it to the front door.

 

Memory Rewritten According to the Way I Wish It Happened

Manhattan drives 18 hours through the night
from California to see me. I ask what’s wrong
and she tells me. She tells me everything.
We open to each other like doorways. We kiss
and the last two years melt away. It’s like
she never left. When we make love, our problems
don’t follow us into bed. There is no fear in
either of us, no hesitation. We wrap like vines
around each other’s trunks. We fall asleep.
The next day, we walk around the lake. She says
she never stopped loving me. She’s sorry and
so am I. If only we had been braver, if we hadn’t
run so far. That night we cook together and
the silence is so full of her eyes and lips that
I could die right now. “You don’t have to leave,”
I say. “Stay one more night.” She says, “Okay.”

 

Erasure of a Depressing Poem to Reverse Its Effects

Depression Poem

Every morning I wake up to an empty
bed, feeling rejected by the night before.
Every minute is a fresh heartbreak,
every sunrise an opportunity to burn.
It takes most of the day for me to
feel human again. My body whole,
my mind in its right boxes. But by then
it’s bedtime, and I lay down naked,
alone, in the darkest dark I can

hourglass

Eric Raanan Fischman is the incredible changing man. By the time you read this, he could be a bird, or an alligator. A faculty member at the Beyond Academia Free Skool, his work has appeared in the Boulder Weekly, Bombay Gin, and in the recent Punch Drunk Poetry Anthology. His first book, “Mordy Gets Enlightened,” was published through The Little Door at Lunamopolis in 2017. He is probably a chimney right now, but he might be a caterpillar, or a crane. He might be dust.

Photo: Zane Lee

lesser than less – rob plath

samuel zeller

i
want
to
feed
this
skin
to
the
wind
on
a
rooftop
&
sit
silently
kicking
my
bone
legs
over
the
ledge
in
the
moonlight

hourglass

Rob Plath is a writer from New York. He has published 21 books over the last 25 years. He’s most known for his monster collection A BELLYFUL OF ANARCHY (epic rites press). He lives alone w/ his cat & stays out of trouble. See more of his work at www.robplath.com

Photo: Samuel Zeller

because you can’t drink with your mouth closed – colin dodds

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He pissed his cornflake juice
in the expensive of the hallway belonging
to the soap opera queen.

From the din of the kitchen,
people wearing last year’s orgasm
tossed glances like stones at his wet head.

Awful faces hanging on fangs—
pancake make-do and sideburns stitched
to a general sense of pointiness—in a place
where the winged quality-of-experience police
have no jurisdiction.

But he had to go and do it,
he opened his desert flower onto
the auctionyard of seized cars.
His friends said:

“We’re your friends
and we’re not your friends,
we can never leave
but we’ll see you later,
okay?”

Anyway, it was little miss
whoever’s whatever birthday
and she spent all day getting into those pants
and men appoint themselves
bouncers in stripclubs as we speak
so maybe you better lower your tone
in regard to the birthday girl and Ms. Nose.

But won’t shut up, he threw a moist box
at Toby the BMX-racer’s head,
the crowd is ready to open into him
with its toddler teeth, and Cody
and the boys’re goin to turn
that sky inside out
and make a closet of bruises.

hourglass

Colin Dodds is a writer with several novels and books of poetry to his name. He grew up in Massachusetts and lived in California briefly, before finishing his education in New York City. Since then, he’s made his living as a journalist, editor, copywriter and video producer. Over the last seven years, his writing has appeared in more than three hundred publications including Gothamist, Painted Bride Quarterly, and The Washington Post, and praised by luminaries including David Berman and Norman Mailer. His poetry collection Spokes of an Uneven Wheel was published by Main Street Rag Publishing Company in 2018. Colin also writes screenplays, has directed a short film, and built a twelve-foot-high pyramid out of PVC pipe, plywood and zip ties. One time, he rode his bicycle a hundred miles in a day. He lives in New York City, with his wife and daughter. You can find more of his work at thecolindodds.com.

Photo: Jamie Street

two poems – jessie janeshek

jessie janeshek

True Values

How to crack down      transgress empty space
………corn, so much storage or the flood plain
how to worship this quiet, this time.
………Something comes out of the comfort of trains
when you put all your poison into one place
……….and run to the river.

I wish it were colder                I wish musk hunker-downer
………for this tartan couch
red phone on the wall             transitional
……….for this special sequence.

Everyone says                she needs a retreat mostly just to touch
………mostly just to come in                 call it a den
so she fucks the taxidermist                    sterile as a dead dad
……………each extinct chicken                        stuffed, an achievement
when he gets tired enough                  he’ll rip his feeding tubes out
say this is my house                              but there’s a dumbwaiter
……………………….and my skin will hang off my skull.

Here’s where we put the eyes
………here’s where we put the cellophane    we make into the lake.
My sweater is jacquard        with your phone number
……….dive-bombing beetles            in the witch tense.
……………….The door is a guard
……….strappy shoes and someday        I’ll let the ghosts come to me
strappy shoes and someday             I’ll remember it gladly
……….no screens on the windows
and on the flood plain           how many trains
……….the language of flowers or the more profane language of stones.

 

Take Me Naked If It Makes Me Real Again

No frigate like a book unread and not the energy
…………..to open a bottle of pills. Everything’s triggering
lifting my hair for the vestige               of old-timey stardom
……………off with safety scissors            I chop my own bangs.

Heat makes waking hell and I dwell on eyesockets
………and every morning pay the pine trees.
……………………………….It all comes down to money and bloodstains.
A needle and a pearled shawl         took the children away.
……………….Drink the vodka. Fill the bottle with water.
.……We mythologize and he says the witch hunt
is most interesting          and the difference between
………us and the animals    is they can’t look for meaning.

………………………………..Little songs come fast and I find the letter
by not looking back     or it’s somewhere else
……….and it poisons my shade
……….or I empty out the pantry to rid myself of him
self-sabotage in heart-shaped sunglasses
……..or a more intimate god.

Take me naked. I just told the truth.
……….The brass heart in the bedroom turned my past over.
I got through bad moments                black bows
………changed my name.           I solved my own crime
with a made-up boyfriend        and a fake cock
………or I solved the crime            during my period
wearing your cast-offs
……………………….or I solved the crime as I heard a bell ring
……………………….and the truth is
……………………….your carnage            is general knowledge.

hourglass

Note: “No frigate like a book” is a phrase from poem #1286 by Emily Dickinson.

Jessie Janeshek’s third full-length book of poems MADCAP is forthcoming from Stalking Horse Press in 2019. Her first two books are The Shaky Phase (Stalking Horse Press, 2017) and Invisible Mink (Iris Press, 2010). Her chapbooks include Spanish Donkey/Pear of Anguish (Grey Book Press, 2016), Rah-Rah Nostalgia (dancing girl press, 2016), Supernoir (Grey Book Press, 2017), Auto-Harlow (Shirt Pocket Press, 2018), Hardscape (Reality Beach, forthcoming), and Channel U (Grey Book Press, forthcoming). Read more at jessiejaneshek.net.  

Photo: ål nik

glossolalia – cortney collins

glossolalia

This refuses to be written. It’s the pistachio
stuck in the shell
that won’t crack open.
I spread out my collages on the living room floor—
the ones made in secret, midnights, gluesticks and jazz—
chose the holiest one, with seahorses and clocks
and pieces of words from a language I didn’t realize
I was fluent in until you understood;
put it in your hands for you to take home
and prop up on your kitchen counter.
I annotate this poem with my incoherence,
and erase the footnotes.
I stole my collage back
while you were passed out on the couch
and locked it up with everything else,
the life-force bleached out. It was
a casket of bones lowered into the ground,
never looked at again.
A famous folks singer said in an interview that musicians
these days, they don’t know where the music
is coming from. I don’t know
where anything I speak these days is coming from.
Consonants spliced together form
burial mounds. Vowels, a train moving artifacts
along a distant track.
The impact of stone
on a taut surface of water shattered
the stone, not the water.
I am inchoate fissures now,
uttering fragments of
our native tongue.

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Cortney Collins is a poet living on the Eastern Plains of Colorado, in Eaton. She is equal parts metropolitan bustle and unincorporated railroad town, prairie and ocean, kale and Cheetos. She co-facilitates a weekly creative writing workshop for persons on probation in conjunction with SpeakOut!. This is her first published poem.

Photo: Patrick Tomasso

womb in purgatory – ingrid calderon

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(a spin-off of Eggs in Purgatory)

Ingredients

1 tablespoon of extra-virgin sacrosanct
½ medium ego, chopped
1 cup of depression
1 clove of laughter, minced
¼ teaspoon of anger
1 teaspoon suicide
½ teaspoon freshly ground prayers
¼ cup fresh cemetery dirt, finely chopped
4 large wombs
¼ cup grated afterlife

Instructions

Drizzle sacrosanct into skillet set over medium heat.

Once it begins to shimmer, add in the ego and cook until tender, about 3 minutes.

Stir in the anger, minced laughter, and depression.

Sprinkle the teaspoon of suicidal ideation and allow the mixture to thicken, about 5 minutes.

Break a womb into a small bowl and using a large spoon, make an indention in the angry mixture. Repeat with the remaining wombs.

Top with grated afterlife and prayers.

Cover skillet and cook until the wombs set and are cooked to the desired level of doneness.

Remove skillet from the heat.

Sprinkle with remaining cemetery dirt and serve.

cropped-dead-bird-clip-art.jpg

Ingrid is a Salvadoran poet & refugee residing in Los Angeles. She’s published in OCCULUM, Electric Cereal, Dryland, Seafom Mag, Memoirmixtapes, Punch Drunk Press, Moonchild Magazine, Anti-Heroin Chic, Bad Pony Mag, L’Éphémère Review amongst others etc… Guilty of four full-length poetry books entitled ‘Things Outside’, ‘Wayward’ ‘Zenith’ & ‘Ablution.’ She invites you to stalk her on Twitter at @BrujaLamatepec and to read her rants at notesofadirtyyoungwoman.com

Photo: “Tidy notes led me astray”, also by Ingrid Calderon

three poems – john dorsey

wind

Where the Prom Queen Ends Up or Poem for Kristen

there is nobody waiting outside
the cowboy cafe & truck stop
to bring you flowers
or even offer you their coat
on a rainy afternoon
in lyman wyoming

most mornings you are
the first thing the sun sees
no matter when you punch in
& time stands still just long enough
for you to remember
how you ended up here

how this was just supposed to be a summer job
how calendars can bend the will of any ambition
how your thighs were once a temple of worship

stray dogs still sniff your ass
for that last scent of beauty
for that last slice of cherry pie
made holy by your touch

at least once a day
you are still
the most beautiful woman in the world
depending on who you ask

& if the wind kicks up just right
in any direction
you are still magic.

 

The Ballad of Pegleg & Double Stamp

as we drop him off at the greyhound
crazy mark says that the whole country is on fire

just outside the station
a legless vietnam vet asks a young girl
where she got her tattoos done

& i think maybe she’s a prostitute
or maybe she just looks like his daughter

or the high school sweetheart
he left on prom night
to wander into a jungle
of regret

that’s the thing about flames
you can move in any direction
& still end up
in places you never
intended to go.

 

Free as a Bird
for eric roetter

the image i have
in my heart
is you flying
through city streets
on your bicycle

before daylight
before heroin

the birdman of broad street

i’ll tell ya brother
you were already pure.

cropped-dead-bird-clip-art.jpg

John Dorsey lived for several years in Toledo, Ohio. He is the author of several collections of poetry, including Teaching the Dead to Sing: The Outlaw’s Prayer (Rose of Sharon Press, 2006), Sodomy is a City in New Jersey (American Mettle Books, 2010), Tombstone Factory, (Epic Rites Press, 2013), Appalachian Frankenstein (GTK Press, 2015) Being the Fire (Tangerine Press, 2016) and Shoot the Messenger (Red Flag Press, 2017). He is the former Poet Laureate of Belle, MO and Co-Editor, with Jason Ryberg, of the Gasconade Review. His work has been nominated for the Pushcart Prize. He may be reached at archerevans@yahoo.com.

Photo: Abigail Lynn

more than one way to be a gravedigger – divya

gravedigger

i bet your hands taste like honey. put a finger in my mouth
….& let me dream it. i watch you roll cigarettes –
i know you memorized my number when we were in eighth grade
i know you think of me when you can’t sleep at night

the ghost of me lingers these corridors in your house,
counts your pennies, fucks with your linen. oh baby,
you listen to songs to kill time, you dance in empty houses
and i think of the last boy i loved
& how he set fire to everything

me too, i think. i’ll have that fag, thanks. i am a fag, thanks.
i blow smoke out like a fairy godmother. who am i
if not this broken glass bundle of queer? i have always been
pretty face, ugly existence. the fire alarm, the dynamo.
the girl of your dreams, the girl with tree-branch fingers
typing out obituaries in the cold dampness of 3AM thursdays.

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Divya is a writer and dreamer whose hobbies include reading poetry, drawing pictures of flowers in their sociology study notes, romanticizing make-believe worlds and occasionally ignoring the rules of grammar in the name of art. They have posted their work on various online platforms since 2016. They believe in the healing powers of nature, art, music, sunsets and in the overall goodness and resilience of people. They currently live in the southern half of the Indian subcontinent, but can be found online in various places, most notably @divwhine on twitter and @cyanidesunflowers on WordPress.  Their work has been previously published in The Brown Orient and Rose Quartz Magazine.

miscarriage in train car #4 – lauren napier

letoh

The salt of embryo and ocean
The grounding of the shoreline and rubber tread
Here is where true nature is seen
Here is where fleshly goodbyes are said

Parallel lines in a hotel room
A parallel universe unfolding within a surreal frame
Enfolded in two familiar arms
Embracing again for the first time
Renewal – the act of letting go

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Inspired by all forms of energy and art, lauren.napier takes comfort in the written word and in creative performance. She lives within a lush realm of bittersweet melodies and phrases alongside her black feline, her guitar, and typewriter. Wherever lauren might be, her work may be found online at punkrockdoll.com or followed upon instagram.

Photo: Jonathan Pielmayer

two poems – sandra santos

santos

have you ever asked a butterfly
if flying once transformed is hard
and how much weight is lost meanwhile
the wasteful creaking of the world’s skin
the copious slash on a piece of blow
pushing your smile through the night
— you belated hour end a cycle
music is the dawn
you trace in my way of surrendering to sleep
the remembrance that fills my heart with a sudden longing
to have you here someday
lightly
unveiling the beauty
of our flight
that heads to silence.

nunca perguntaste a uma borboleta
se lhe custa voar quando transformada
qual o peso largado no voo
e é custoso o ranger de pele do mundo
o corte copioso sobre um pedaço de sopro
movendo o teu sorriso pela noite
— ó hora tardia que findas um ciclo
a música é a aurora
que traças no modo de me abrir ao sono
a lembrança que traz ao peito um súbito desejo
de te ter aqui um dia
já leve
desvendando a beleza
do nosso voo
rumo ao silêncio.

if I were a dagger
I would drop
the blade
every day
on the wet grass
until it came back
in blossom.

se eu fosse um punhal
deixaria cair
a lâmina
todos os dias
na erva molhada
até ela regressar
em flor.

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Sandra Santos is a poet, teacher, writer, and translator from Portugal born in 1994. She holds a B.A. in Languages and International Relations from University of Porto and got her Master’s degree in Editorial Studies at the University of Aveiro. As a translator, she has published her work in Portugal, Spain, and Latin America, working back and forth in Portuguese, Spanish, and English. Her own poetic work can be found online at: http://sandrasantos-ss.blogspot.pt/.

Prepared and translated by Nicolás Barbosa López

Photo: Claire Brear