2026 Pushcart Prize Nominations

We are incredibly excited to announce South Broadway Press‘ 2026 Pushcart Prize nominations! Please join us in celebrating these wonderful poets.

The Pushcart Prize: Best of the Small Presses series, published every year since 1976, is the most honored literary project in America – including Highest Honors from the American Academy of Arts and Letters.

Since 1976, hundreds of presses and thousands of writers of short stories, poetry and essays have been represented in our annual collections. Each year most of the writers and many of the presses are new to the series. Every volume contains an index of past selections, plus lists of outstanding presses with addresses.

The Pushcart Prize has been a labor of love and independent spirits since its founding. It is one of the last surviving literary co-ops from the 60’s and 70’s.

Pushcart Prize Nominees

FROM SOUTH BROADWAY PRESS’ SUMMER & AUTUMN 2025 EDITIONS

One Foot in the New Year

BY LEO ROSE RODRIGUEZ

Geranium

BY ASPEN EVERETT

Scribe

BY T. LYDIA MCKINNEY

2025 Best of the Net Nominations

We are incredibly excited to announce South Broadway Press‘ 2025 Best of the Net nominations! Please join us in celebrating these wonderful poets.

The Best of the Net is an annual anthology that honors small press literature that was first published online. The anthology is published by Sundress Publications and is open to submissions for poetry, fiction, and nonfiction.

Best of the Net Nominees

FROM SOUTH BROADWAY GHOST SOCIETY // SUMMER 2025 EDITION

Underbrush

BY SARA WHITTEMORE

Geranium

BY ASPEN EVERETT

they say the rice won’t grow without blood // Sreeja Naskar

Image: Abishek Kushwaha

they say the rice won’t grow without blood

BY SREEJA NASKAR

      a man opens his mouth & a border spills out.  
      a grandmother unspools her tongue like thread,
      stitching her children into the fabric of a country  
      that never wanted them.  

         they say this is progress. 

                   (they mean:)  
                   the skin thinned to paper —  
                   the hands blistered, still reaching —  
                   the lungs filled with air thick enough to swallow.  
                             (they mean:)  
                            look how well you have learned to survive.  
                            how your bones folded neatly into history. 
                                                                                            but we know.  
                we know what it means to be asked for our papers.  
                to be split between two alphabets & never whole.  
                to carve out our own faces with the sharpest vowels  
                until we are palatable. marketable. safe. 

                                                       (they say we are lucky to be here.)
               
                                                                                            lucky.  

                                                                    
                         lucky like my mother learning  

              the price of shame at the grocery store.  
               (the clerk’s mouth curling around her accent  
                another thing she must swallow whole.)   

                         lucky like my father with his hands 
              roughened by the steel of a land he could never own.  
               (the factory hums. the sweat dries.  
                the paycheck arrives. the hunger stays.)  
        (somewhere) they are building monuments  
       from the bones of the silenced.   

       (somewhere)  the land forgets the sound of its own name.  
       concrete buries it whole.   

         this is history, they say.  
                                  (they mean:)  
                                the textbooks that forget us —  
                                 the flags stitched with the tongues we lost —  
                                 the songs we were too tired to sing.   

                    (they say we should be grateful.)   
                                                                            (they mean we should be quiet.)

       but i remember.  
       i remember the rice fields & the rivers thick with ghosts.  
       the prayers my grandmother whispered to the soil.  
       the stories that split her open & stayed.   

           they say the rice won’t grow without blood.            (and still, we eat.)

Sreeja Naskar is a high school poet based in India. Her work has appeared or is forthcoming in Poems India, Crowstep Journal, The Chakkar, ONE ART, Frigg Magazine, The Little Journal, and Cordite Poetry Review, among others. She believes in the quiet power of language to unearth what lingers beneath silence.