
I DO NOT CARE IF YOU ARE ACROSS THE COUNTRY
BY WHEELER LIGHT
or down the country, or around the country.
The country, an exercise in understanding the space
of the country. I do not care if you are my friend
or my best friend or a collection of memories
I can talk to about the memories you are.
I do not care about meaning or anger
or hope or apocalypse when I care about laughter.
I do not care if it makes sense to call you
too many times in a day until you pick up
to tell you a joke you will like and laugh and laugh.
What I care about is distance as a measure
of effort to overcome said distance. If the distance
between us is the country, then the effort
is the world. You are a world away. I am
a world away. When I stare into the middle
of nowhere, you are there laughing at the joke
I traveled around the world to tell you.
THE BAD NEWS
BY WHEELER LIGHT
You wake up
knowing nothing.
The day, the shape
of a chrysanthemum
bell. Unraveling
is the start
of eventually hoping.
Oh, I too mistake
disaster
for salvation.
I take my medication
the same as anyone else,
staring at myself
in the bathroom mirror
to see what I recognize.
My actions reflected—
the bad news
is the actions.
The good news
is the reflecting.
Mistaking the self
for its consequences.
Mistaking the self
for anything at all.
The bad news
is the self.
The good news
is waiting at the end
of the illuminating
hallway of you.
SAWMILL RUN
BY WHEELER LIGHT
Writing about a mountain
because there is a mountain.
Photographs of the mountain
capture more than words
can carve out of enjambment’s
live edge. Oranges and reds
at the end of fall litter
my eyes with the image
I try to translate into imagery.
Can’t you see the green
peeking between naked birch
trees? The sun reflecting off
the fog blanketing everything?
A photograph is a headstone
which mourns the moment
it was taken. Up the road,
there is another overlook
and another. Different angles
to view the jagged document
of time, these peaks erupting
and softening over enough millennia,
their existence nearly makes you forget
dry brush, pipelines, controlled
burns, doe crossing the road doesn’t
make it. The present, a cloud of smoke
invisible behind the cliff in the distance.
Writing about the earth
because there is the earth
cracking its knuckles
and arching its back.
At the overlook, I get out of the car
and step on a pile of broken glass.

Wheeler Light received his MFA in creative writing from University of Virginia. His work has appeared or is forthcoming in Tupelo Quarterly, Barely South, and Allium, among other publications. You can find his poems at www.wheelerlight.net.


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